Pedals

Reverb + Reverb, Delay + Delay, or Delay + Reverb, in any order Solis Ventus is a dual‐engine Delay and Reverb pedal, able to run two algorithms at once, with arbitrary pairings, ordering, and routings.   A special 'Stompbox Mode' dedicates one footswitch to control the on/off state of each engine, effectively turning the Solis Ventus into a quick and dirty two-stompbox setup.   And as always, external control devices may be used to open up even more interactive possibilities  15 Delays, 9 Reverbs, 96 Presets In addition to several new exciting algorithms, the entire algorithms library from the Specular Tempus have been brought back, improved and expanded, for the Solis Ventus. Flexible Routings Stack your delay and reverb, combine them in parallel, or run them independently in dual mono channels, and then swap them around on the fly, Solis Ventus has all your wild ideas covered.   Routing, ordering, and on/off state information are clearly displayed at all times so you will never get lost. Stereo Looper A 40 second stereo looper is available that works independently from the Delay and Reverb engines, either before (Pre) or after (Post). A perfect tool for creating a sound-on-sound style loops. The layering of sounds didn't stop there: the playback effects cover standard and experimental application, from speed manipulation, sound reversal, to an ever increasing pitch transposition. Expansive External Control Expression - 2 expression pedal inputs (with CV compatibility).   Aux Switches - accepts up to 3 external switches for additional control (bank up/down, tap tempo, etc).   MIDI In / MIDI Thru/Clock - nearly all features and functionalities of the pedal are opened to MIDI access. Dynamics Engine Independent dynamics processing engines, placed post DSP X and DSP Y, enable dynamic effects (ducking or gating) to be applied to any delay or any reverb algorithms in the Solis Ventus.   Both DSP X and and DSP Y have their own dynamics engine, bringing an unprecedented flexibility and precision in sculpting your dynamic delay and reverb soundscape. Crossover Engine A switchable crossover filter allows you to split the input signals into two frequency bands, one frequency band is routed to DSP X and the other band is routed to DSP Y.   This band splitting allows the X and Y engines to run the algorithms on different frequency bands, a wonderfully effective tool for creating unique moods and textures. You can even modulate the cutoff frequency via MIDI for an otherwordly effects! Complete Parameter Control All parameters are fully accessible directly through the pedal. The SV Studio for Windows and macOS offers an easier way to manage presets, assign expression parameters, and adjust every minute detail of the Solis Ventus' settings.

The Delta II is a powerful optical harmonic tremolo with extensive tone shaping and rhythmic capabilities. The novel LFO enables its pilot to craft harmonic, and traditional tremolo sounds that stagger, hop, buzz, ripple, and swirl with unparalleled variety using a brilliantly simple interface. Soar through the sonic scenery as evolving rhythms throb and pulse through your consciousness like stars flickering across the cosmos. INTRODUCING THE DELTA II The Delta II is a small form factor harmonic tremolo, with smooth organic tone. Harmonic tremolo is achieved by splitting the input signal into high and low frequency bands, and amplitude modulating them in opposite directions. As the low frequencies pass, the highs are cut, and as the highs fade back into the mix, the lows sink below the horizon. Since one of the frequency bands is always passing, it's less choppy than typical for trem. Morph between harmonic and traditional tremolo with the innovative LAG control, which introduces a variable offset between the LFO’s dual outputs. Combined with the Delta II’s unique voices, this makes for great swirling, phasey tones with endless rhythmic possibilities. YOUR HARMONIC HEARTBEAT The Delta II features a high headroom all analog signal path with expanded tone shaping abilities. The signal is buffered, and subsequently runs into a 2-pole state-variable filter to perform the frequency range split. The high-pass, and low-pass filter outputs, along with the dry signal are routed into the tremolo portion of the circuit. The optical elements in the Delta II make for a smooth rise and decay, with a clean fluid response. Additionally, the VOICE toggle offers three signal path modulation options. High & Dry - highlights top-end shimmer, and emphasises clarity and bite. High & Low - provides a more liquid tonality especially useful for swirling phasey sounds. Low & Dry - excels at dark throbbing low-end presence. Exploration of the DEPTH, FREQ, and RES controls will unearth filtery stabs, slithering vibrato, or robotic rhythms. Volume is set from our shop to unity gain when the effect is engaged, but may be fine tuned via the internal trimpot. Each portion of the Delta II is carefully thought out, and painstakingly executed to be beautifully colored and alive with rhythmic intensity, and effortless shimmer. FALL BEHIND IN PERFECT TIME The LFO of the Delta II is deceptively simple, yet surprisingly versatile. The dual output triangle wave oscillator has a unique ability - Lag. This allows the outputs of the LFO to smoothly lag from 0-180 degrees out of phase while still being in time. What this means is that with LAG control at minimum the two LFO outputs are identical, and at maximum LAG, they alternate in opposing fashion. For traditional tremolo sounds, keep the LAG at minimum, then as you introduce LAG, the LFO outputs diverge, creating infinite shades of harmonic tremolo up to maximum. The middle ranges of this control can thump, pulse, beat, bunnyhop, stagger, and dance in any given instance. For even more temporal animation, LFO RATE or DEPTH may be modulated via expression or CV. Delta II Features Smooth and lush all analog signal path, with 3 distinct voices Harmonic or traditional tremolo with a twist of the LAG control Wide-range LFO capable of slow pulsation to audio-rate madness Flexible filtering for deep and expressive tones 18V capable for high headroom use cases Selectable Expression / CV control of DEPTH or RATE Internal VOLUME trimpot for precise level matching Fixed Filter for tone shaping with DEPTH at minimum TRULY HAND CRAFTED Hand-wired and built in Portland, Oregon, the Delta II features true-bypass relay switching with soft-touch footswitch. On top of the cast-aluminum enclosure sits a durable, engraved vinyl faceplate and jewel indicator light. This pedal is built to last a lifetime, both on Earth or in the vacuum of space.

There's something in the water at California's Rancho De La Luna, something that sounds like the EarthQuaker Devices Dirt Transmitter Rancho De La Luna Fuzz. This limited release from Akron's favorite effect wizards is a fuzzy oasis in a desert of tone, so come to the water and take a swig. In 2023, EQD founder Jamie Stillman visited Rancho De La Luna, the famed recording studio of guitarist and producer Dave Catching. An alumnus of Eagles of Death Metal and Queens of the Stone Age, Catching operates Rancho De La Luna in Joshua Tree, California. Stillman jumped at the chance to go and ended up using one of EQD's oldest effects, the Dirt Transmitter. The Transmitter originally shipped in 2008 with three controls for harnessing its Fuzz Face-style tone. Today's Dirt Transmitter features a new, fourth control, Bias, that starves the circuit for a chokey, sputtering sonic profile. One thing that elevates this Dirt Transmitter is its use of EQD's rare silicon transistors that behave similarly to germanium. Running the gamut between Velcro-ripping wildness and subdued overdrives, the Dirt Transmitter is a knockout fuzz effect that can achieve so many different highs. The Dirt Transmitter, a standby in EarthQuaker's catalog until 2017, is back in full Rancho De La Luna fashion for the players of today for a limited time. As a classic for EQD fans revived for today, the Dirt Transmitter Rancho De La Luna is a wonderfully versatile and expressive fuzz circuit in iconic EarthQuaker fashion.

The city remained, its familiar corners etched in shadow, its streets whispering with memories no living souls carried. Our laughter had vanished into cracks in the pavement, leaving only silence where voices once lingered. Moving through the empty avenues, belonging nowhere. Now we are ghosts The device is a small metal box, humming faintly, remembering songs it can't quite play. when activated, it releases long uneven tones that pass between distortion and clarity. Its voice floats on air, hollow and fragile. Exhaling into the void, its heartbeat replaced by an echo.

A buffer is an important tool to combat tone loss with long cable runs or in signal chains running lots of true bypass pedals. With its high 1 Mohm input impedance and low 100 ohm output impedance, the EarthQuaker Devices® Buffer/Preamp will restore your tonal integrity and give you back the clear and dynamic signal you deserve and your amp craves. Want more? Not only will it restore high end loss, this device has a little trick up its sleeve that will also give your low end a subtle, yet powerful, little kick for some added dimension.

The Fuzz Master General is our take on the vintage Ace Tone Fuzz Master FM-2 Professional fuzz machine, an octave fuzz that was very similar to the wildly popular Super Fuzz. We have taken the basic circuit and re-imagineered it to be more useful for the modern player. The Fuzz Master General features a more accurate Fuzz control that delivers a much broader spectrum of dirt tones ranging from nearly clean through full buzz saw assault. We added a Voice toggle to further enhance your dirt desires and wrangle a more variable tone out of the classic circuit. This toggle selects between germanium, silicon and no diode clipping. This has a huge impact on the characteristics of fuzz tone, upper octave clarity and output level. Germanium diodes offer more output and an open, looser fuzz tone while the silicon diodes compress the signal and yield a tighter fuzz tone. When the voice is set to no diode clipping (center position) you can attain a nearly clean upper octave that borders on ring modulation! While the original Fuzz Master had a foot switch to select between two different tone settings, the Fuzz Master General has a variable Tone control that allows you to dial in everything in between a wide-open treble assault and a super-scooped, bass-heavy vintage unit. With all these added features, the Fuzz Master General delivers a more versatile version of the original while still retaining the same swelling octave grind we all know and love.

The Hummingbird is a choppy, sawtooth tremolo modeled on the vintage “repeat percussion” unit and similar to those found in old Valco and Vox amplifiers. It is capable of producing everything from classic “50’s style” shimmering tremolo to a synthy, delay-like chop that turns your signal into a burst of short pings and on through to near ring modulation speeds. Simply choosing between modes 1 (slow), 2 (mid-tempo) or 3 (fast) and adjusting the rate and depth controls will unlock a whole new world of amplitude modulation at your feet. The Rate is also expression pedal accessible to allow instant changes on the fly. Using an expression pedal opens up the possibility of true random amplitude modulation! In addition to the modulation, the Hummingbird has plenty of clean gain on-tap allowing you to either boost or cut the signal using the level control. If the Depth is turned to zero, the Hummingbird will become a JFET clean boost!