Pedals

The Data Corrupter is a monophonic analog harmonizing PLL with modulation. It takes your input signal and brutally amplifies it into a crushing square wave fuzz tone that is then multiplied, divided and modulated to create a wild, yet repeatable, three-voice guitar synthesizer. The Master Oscillator is the central nervous system at the heart of the Data Corrupter’s cyberpunk hive mind. It feeds your input to the signal harvester in its original octave (Unison), one octave down (-1) or two octaves down (-2) for maximum compatibility with your preferred instrument and frequency register. Once you’ve chosen your input octave, then the Data Corrupter will perform its calculations and spit out an analog synthesized frequency, which can be pitch-bent for portamento or vibrato sounds by the Frequency Modulator! From there, you can blend in one of eight Subharmonic intervals up to three octaves below the input and mix in a square wave fuzz tone for maximum data corruption.

The Echopark Dual-Harmonic Boost This is our 2nd version of the Dual-Harmonic Boost.  The same legendary “Dual Stacked” OD, but modified with OD Boosters on each circuit for the “Maximum” OD. The center tone pot has been replaced with a “Master Volume”, allowing you to crank both OD’s  for maximum distortion, at lower volumes. Because of the insane overdrive, the DHB2 has a 3 Way “Tone Control Switch” ranging  from (Far Left) Low, (Center) Med, (Far Right) High. This switch can be used to filter out unwanted frequency feedback at higher volumes, or a tone cut for playing certain styles of music. Far right knob is OD Gain BOOST 1, Far left knob is OD Gain BOOST 2. True Bypass, 2.1mm 9VDC power in, - Center (Internal 9V Battery Mounts on side).Powder coated aluminum enclosure. HAND MADE IN USA.

Limelight is a dual channel overdrive developed in collaboration with LA-based punk band Touche Amore. The distinctive bright, clear tones of guitarists Nick Steinhardt and Clayton Stevens form the foundation of TA’s impassioned brand of post-hardcore, letting their riffs morph effortlessly between serene clean passages and cacophonous blast beats. This pedal was originally developed to commemorate the release of their 2020 LP, Lament, but since earned its place in a wide variety of guitar rigs spanning genres. In preparation for the recording of Lament, we worked with Nick and Clayton to create a new op amp overdrive with equal parts aggression and chime. While loosely based in the “breaker” lineage, we made significant changes to the circuit for superior articulation and a much wider range of gain. An independent front-end boost rounds out the package, perfect for adding power to clean tones or pushing the overdrive side into heavy distortion. While the primary goal was to help the band sound like their best selves, Limelight has a tone for everyone.

  DIGITAL REVERB CUSTOM MINI-PEDAL WITH UP TO 6 SECONDS OF REVERBERATION TIME INCLUDES AN IGOR PRESSURE PAD CONTROLLER FOR REAL-TIME CONTROL! BLEND IN ANY AMOUNT OF DISTORTED REVERB FOR SMOULDERING ATMOSPHERICS… AMAZING ‘EDITED GUITAR SAMPLE’ SIMULATION! BRIGHT AND IMMEDIATE SPARKLE-VERB, OR DARK AND BROODING PRE-DELAYED AMBIENCE EFFECTS ‘SEND’ FUNCTION ALLOWS SOUNDS TO REVERB AWAY WHILE YOU CARRY ON PLAYING DRY DOES CLEAN BRIGHT REVERB, ‘LIVE BOOTLEG’ REVERB, 80’S GATED REVERB, SPACEROCK OVERLOAD REVERB… BUILT-IN NOISE GATE KEEPS UNWANTED HUMS AND BUZZES TO A MINIMUM INPUT CONTROL AND INDICATOR FOR OPTIMUM SIGNAL-TO-NOISE DEEPLY COOL RAINGER FX CUSTOM MINI-PEDAL STEEL ENCLOSURE