Aqueduct® is a vintage-inspired pitch vibrato with eight modulation modes delivering synth-like sonar pulses, touch-sensitive frequency modulation, gentle rolling pitch-wobbles, steady kosmische pulsations, rapid trills, slimy sonic squiggles, whammy bar wiggles, pitch bends, pseudo-flange, and anything else your pitch-warped brain can picture in your murky mind’s eye.

JAGUARS I personally use a Jag, 1994 CIJ outfitted with a Mastery Bridge and Curtis Novak Pickups (my favorite for Jags next to the original 1964/65 stock). For my own personal preference, I am using a corrected 11-50 set, 11-15-19-31-40-50 (sometimes 52 for fun). Always consider scale lengths when choosing the right set for you and your guitar. My other recommendations for Jaguars: 11-21w-52, the lightest strings Leo Fender ever recommended for the Jag featuring a wound G. My set is 11-22w-52 10HeavyBottoms 10-48, This is the only set of 10s I would use for a Jaguar, considering the 24" scale length, They actually feel much lighter than regular 10s sets. 10-14-18-27-37.5-48 12-20p-52+ is a great option. Pretty much anything 11 and above is prime for Jaguars. 13-22p-58 OFFSETS So you don't own a Jaguar or Jazzmaster? But you have a floating tremolo/offset guitar? There are guitar builders out there like Paul Rhoney, Nystrum, Scero, David Ayers,Echopark, Elliott Guitars NC,Creston, and many more who are building amazing guitars building upon the unique tonal and physical features of offsets with floating tremolos. And it goes without saying that Mastery Bridge is the choice for so many builders, players and techs. I recommend generally 11-50, Super10s-46, and 10 -48 HeavyBottoms, and 12-52.

JAZZMASTER 11-50 (JM50), 11-14-18-29-40-50 the signature set, the best of the lightest sets for 25.5" scale offsets JM46!! The latest development is that I finally made a true JM46 set that is an analog of the JM50 in terms of tension profile, weight distribution, core tension. The trebles remain 10-13-17 however the changes in the composition of the wound bass strings help the plain trebles feel a little snappier and even. The new D (#4) string is now .027” with similar tension to the .026 but with a larger wrap wire to provide some needed weight and downward pressure on the mid section of the bridge. The other change is the E (#6) string which features a new formulation similar to the low E on the JM50 set. The 46 has more tension which also helps balance out the high E and B strings (it just does). Still slinky and punchy, just a little snappier. the 46 is just 46-ier. 11-22w-52, something old school with the wound G 12-20p-52+, I got a tip that Nels Cline (not endorsed by GTSco) uses 12-52 so i devised a set, it is the analog of the 11-50 set so it is perfectly balanced for a Jazzmaster 13-22p-56, Ok, now we are headed into Mason Country-Mason Stoops, that is. GTSco Artist, Mason Stoops hung out with fellow GTSco Artist, Josh Smith, and this is the result, a tiny bit lighter in the G, by .003 and trust me, that is a big difference.

Introducing the NíquelPuro line of Electric Guitar Strings by the Gabriel Tenorio String Co. These are still constructed and formulated like the original GTSco line but feature the highest quality pure nickel wrap available. (original GTSco strings already feature the highest amount of nickel available in nickel plated steel)   NíquelPuro is an evolution in my string making. My goal has always been to make the best sounding and feeling string. I wasn’t interested in pure nickel at first. I felt that all the pure nickel I had ever seen in the market didn’t feel comfortable and that it was a gimmick to improve the signal strength of a hex core string. Many folks felt that nickel was warmer, others swore that nickel was louder or brighter. I wasn’t going to make pure nickel if it meant making strings that didn’t feel right to me or if it meant appeasing a boutique “tone fetish.”   I had been testing nickel out for about a year and had come to enjoy how durable and strong pure nickel is to nickel plated steel. I felt this right away while making a batch of D strings which feature a very fine wrap wire. The tone once the string was installed was rich and full. A very good strong tone that had even more body than the NPS.   After running more tests, I’ve decided to bring these to market. Like with my own personal strings I used on tour in my younger days, it took me a while to feel comfortable and confident in selling these to the public. I just want to make a good string that is worth your hard-earned gig money.   I am always surprised at how long the strings last for a majority of the professional musicians who put them to the test show after show, session after session. I know that the NíquelPuro will also stand up to that test.   ·      Pure Nickel is stronger and longer lasting than nickel plated steel wrap wire ·      Pure Nickel has stronger magnetic properties than nickel plated steel, thus producing a more output and improving signal strength ·      NíquelPuro strings by GTSco feature the same round core construction and custom twist innovations of the original line ·      GTSco strings in general, use more “Tone Metal” per wound string than most brands   Some more background and thoughts on the matter….  Nickel is a very vague term thrown around the gear industry. Almost every single wound electric guitar string employs nickel. There are varying grades of nickel plated steel and pure nickel wrap wire in use in the modern string industry. Nickel is ferromagnetic, that is important because it makes it possible to get more output from an electric guitar. It is a widely known characteristic of this metal. Steel is not magnetic on its own therefore other metals are added to different kinds of steel alloys to add magnetic properties. Without it, strings across the board would not perform as well. We know already that different metal wraps produce their own signature sound. That is also true of the NíquelPuro line. For lack of a better term, I am going to call wrap metal “Tone Metal.” By virtue of my construction and formulation techniques, I offer more tone metal in my products as a rule.  Cost cutting techniques in the industry have compromised the quality of metal some string companies use and even guided formulations focused on using thicker cores to save on expensive wrap wire. This can make for an opaque, albeit durable, string. I don’t believe this approach serves the instrument, the player, nor the tone, well.   NíquelPuro Electric Guitar Strings are made to help musicians play better, feel confident, and rest assured that they are getting the most from their instrument. You shouldn’t have to beat your instrument or destroy your hands to get a good sound, the strings just need to work for you.   That’s just how I feel about it. OFFSETS So you don't own a Jaguar or Jazzmaster? But you have a floating tremolo/offset guitar? There are guitar builders out there like Paul Rhoney, Nystrum, Scero, David Ayers,Echopark, Elliott Guitars NC,Creston, and many more who are building amazing guitars building upon the unique tonal and physical features of offsets with floating tremolos. And it goes without saying that Mastery Bridge is the choice for so many builders, players and techs.  

11-50 (JM50), 11-14-18-29-40-50 the signature set, the best of the lightest sets for 25.5" scale offsets ntroducing the NíquelPuro line of Electric Guitar Strings by the Gabriel Tenorio String Co. These are still constructed and formulated like the original GTSco line but feature the highest quality pure nickel wrap available. (original GTSco strings already feature the highest amount of nickel available in nickel plated steel)   NíquelPuro is an evolution in my string making. My goal has always been to make the best sounding and feeling string. I wasn’t interested in pure nickel at first. I felt that all the pure nickel I had ever seen in the market didn’t feel comfortable and that it was a gimmick to improve the signal strength of a hex core string. Many folks felt that nickel was warmer, others swore that nickel was louder or brighter. I wasn’t going to make pure nickel if it meant making strings that didn’t feel right to me or if it meant appeasing a boutique “tone fetish.”   I had been testing nickel out for about a year and had come to enjoy how durable and strong pure nickel is to nickel plated steel. I felt this right away while making a batch of D strings which feature a very fine wrap wire. The tone once the string was installed was rich and full. A very good strong tone that had even more body than the NPS.   After running more tests, I’ve decided to bring these to market. Like with my own personal strings I used on tour in my younger days, it took me a while to feel comfortable and confident in selling these to the public. I just want to make a good string that is worth your hard-earned gig money.   I am always surprised at how long the strings last for a majority of the professional musicians who put them to the test show after show, session after session. I know that the NíquelPuro will also stand up to that test.   ·      Pure Nickel is stronger and longer lasting than nickel plated steel wrap wire ·      Pure Nickel has stronger magnetic properties than nickel plated steel, thus producing a more output and improving signal strength ·      NíquelPuro strings by GTSco feature the same round core construction and custom twist innovations of the original line ·      GTSco strings in general, use more “Tone Metal” per wound string than most brands   Some more background and thoughts on the matter….  Nickel is a very vague term thrown around the gear industry. Almost every single wound electric guitar string employs nickel. There are varying grades of nickel plated steel and pure nickel wrap wire in use in the modern string industry. Nickel is ferromagnetic, that is important because it makes it possible to get more output from an electric guitar. It is a widely known characteristic of this metal. Steel is not magnetic on its own therefore other metals are added to different kinds of steel alloys to add magnetic properties. Without it, strings across the board would not perform as well. We know already that different metal wraps produce their own signature sound. That is also true of the NíquelPuro line. For lack of a better term, I am going to call wrap metal “Tone Metal.” By virtue of my construction and formulation techniques, I offer more tone metal in my products as a rule.  Cost cutting techniques in the industry have compromised the quality of metal some string companies use and even guided formulations focused on using thicker cores to save on expensive wrap wire. This can make for an opaque, albeit durable, string. I don’t believe this approach serves the instrument, the player, nor the tone, well.   NíquelPuro Electric Guitar Strings are made to help musicians play better, feel confident, and rest assured that they are getting the most from their instrument. You shouldn’t have to beat your instrument or destroy your hands to get a good sound, the strings just need to work for you.   That’s just how I feel about it.  

Introducing the NíquelPuro line of Electric Guitar Strings by the Gabriel Tenorio String Co. These are still constructed and formulated like the original GTSco line but feature the highest quality pure nickel wrap available. (original GTSco strings already feature the highest amount of nickel available in nickel plated steel)   NíquelPuro is an evolution in my string making. My goal has always been to make the best sounding and feeling string. I wasn’t interested in pure nickel at first. I felt that all the pure nickel I had ever seen in the market didn’t feel comfortable and that it was a gimmick to improve the signal strength of a hex core string. Many folks felt that nickel was warmer, others swore that nickel was louder or brighter. I wasn’t going to make pure nickel if it meant making strings that didn’t feel right to me or if it meant appeasing a boutique “tone fetish.”   I had been testing nickel out for about a year and had come to enjoy how durable and strong pure nickel is to nickel plated steel. I felt this right away while making a batch of D strings which feature a very fine wrap wire. The tone once the string was installed was rich and full. A very good strong tone that had even more body than the NPS.   After running more tests, I’ve decided to bring these to market. Like with my own personal strings I used on tour in my younger days, it took me a while to feel comfortable and confident in selling these to the public. I just want to make a good string that is worth your hard-earned gig money.   I am always surprised at how long the strings last for a majority of the professional musicians who put them to the test show after show, session after session. I know that the NíquelPuro will also stand up to that test.   ·      Pure Nickel is stronger and longer lasting than nickel plated steel wrap wire ·      Pure Nickel has stronger magnetic properties than nickel plated steel, thus producing a more output and improving signal strength ·      NíquelPuro strings by GTSco feature the same round core construction and custom twist innovations of the original line ·      GTSco strings in general, use more “Tone Metal” per wound string than most brands   Some more background and thoughts on the matter….  Nickel is a very vague term thrown around the gear industry. Almost every single wound electric guitar string employs nickel. There are varying grades of nickel plated steel and pure nickel wrap wire in use in the modern string industry. Nickel is ferromagnetic, that is important because it makes it possible to get more output from an electric guitar. It is a widely known characteristic of this metal. Steel is not magnetic on its own therefore other metals are added to different kinds of steel alloys to add magnetic properties. Without it, strings across the board would not perform as well. We know already that different metal wraps produce their own signature sound. That is also true of the NíquelPuro line. For lack of a better term, I am going to call wrap metal “Tone Metal.” By virtue of my construction and formulation techniques, I offer more tone metal in my products as a rule.  Cost cutting techniques in the industry have compromised the quality of metal some string companies use and even guided formulations focused on using thicker cores to save on expensive wrap wire. This can make for an opaque, albeit durable, string. I don’t believe this approach serves the instrument, the player, nor the tone, well.   NíquelPuro Electric Guitar Strings are made to help musicians play better, feel confident, and rest assured that they are getting the most from their instrument. You shouldn’t have to beat your instrument or destroy your hands to get a good sound, the strings just need to work for you.   That’s just how I feel about it. Steel RoundCore, Nickeled Steel wrap. Handmade, custom wound for a better fit. SHORT twist is an option for guitars with Tele or half Tele type bridges where the strings enter through the ferrules at the rear of the bridge plate. Short twists are also required for certain Mustangs, Les Paul Jrs, Coronets If you are using a Strat or Tele type guitar where the strings go through the body, use the STD option. STD can also be used for Tuneomatic/stoptail combinations. If you’re using a Bigsby or floating tremolo system like those on Jazzmasters or have a trapeze style tailpiece, choose TREM twists for the proper fit and the added stability and durability of the extra long twist-a GTSco innovation.  

ELECTRIC GUITAR-Nickel Steel from $21.00 Steel RoundCore, Nickeled Steel wrap. Handmade, custom wound for a better fit. SHORT twist is an option for guitars with Tele or half Tele type bridges where the strings enter through the ferrules at the rear of the bridge plate. Short twists are also required for certain Mustangs, Les Paul Jrs, Coronets If you are using a Strat or Tele type guitar where the strings go through the body, use the STD option. STD can also be used for Tuneomatic/stoptail combinations. If you’re using a Bigsby or floating tremolo system like those on Jazzmasters or have a trapeze style tailpiece, choose TREM twists for the proper fit and the added stability and durability of the extra long twist-a GTSco innovation.  

The original PB*Round was designed by Guadalupe Custom Strings founder, Francisco Gonzalez.  I continue to make the formula for Phosphor Bronze 13 gauge strings today.  I built the rest of the line of acoustic from extensive testing and feedback from both players and luthiers. This line definitely builds on the classic punchy sound of the PB*Round string set while offering consistent tone and more durability without the use of any additives or coatings.   For Resonators, I recommend 13 or 14 gauge PhosphorBronze, remember to opt for Tailpiece length strings which feature the stronger and tighter LongTwists.    

ELECTRIC GUITAR-Nickel Steel from $21.00 Steel RoundCore, Nickeled Steel wrap. Handmade, custom wound for a better fit. SHORT twist is an option for guitars with Tele or half Tele type bridges where the strings enter through the ferrules at the rear of the bridge plate. Short twists are also required for certain Mustangs, Les Paul Jrs, Coronets If you are using a Strat or Tele type guitar where the strings go through the body, use the STD option. STD can also be used for Tuneomatic/stoptail combinations. If you’re using a Bigsby or floating tremolo system like those on Jazzmasters or have a trapeze style tailpiece, choose TREM twists for the proper fit and the added stability and durability of the extra long twist-a GTSco innovation. NíquelPuro Pure Nickel Strings from $27.50 Introducing the NíquelPuro line of Electric Guitar Strings by the Gabriel Tenorio String Co. These are still constructed and formulated like the original GTSco line but feature the highest quality pure nickel wrap available. (original GTSco strings already feature the highest amount of nickel available in nickel plated steel)   NíquelPuro is an evolution in my string making. My goal has always been to make the best sounding and feeling string. I wasn’t interested in pure nickel at first. I felt that all the pure nickel I had ever seen in the market didn’t feel comfortable and that it was a gimmick to improve the signal strength of a hex core string. Many folks felt that nickel was warmer, others swore that nickel was louder or brighter. I wasn’t going to make pure nickel if it meant making strings that didn’t feel right to me or if it meant appeasing a boutique “tone fetish.”   I had been testing nickel out for about a year and had come to enjoy how durable and strong pure nickel is to nickel plated steel. I felt this right away while making a batch of D strings which feature a very fine wrap wire. The tone once the string was installed was rich and full. A very good strong tone that had even more body than the NPS.   After running more tests, I’ve decided to bring these to market. Like with my own personal strings I used on tour in my younger days, it took me a while to feel comfortable and confident in selling these to the public. I just want to make a good string that is worth your hard-earned gig money.   I am always surprised at how long the strings last for a majority of the professional musicians who put them to the test show after show, session after session. I know that the NíquelPuro will also stand up to that test.   ·      Pure Nickel is stronger and longer lasting than nickel plated steel wrap wire ·      Pure Nickel has stronger magnetic properties than nickel plated steel, thus producing a more output and improving signal strength ·      NíquelPuro strings by GTSco feature the same round core construction and custom twist innovations of the original line ·      GTSco strings in general, use more “Tone Metal” per wound string than most brands   Some more background and thoughts on the matter….  Nickel is a very vague term thrown around the gear industry. Almost every single wound electric guitar string employs nickel. There are varying grades of nickel plated steel and pure nickel wrap wire in use in the modern string industry. Nickel is ferromagnetic, that is important because it makes it possible to get more output from an electric guitar. It is a widely known characteristic of this metal. Steel is not magnetic on its own therefore other metals are added to different kinds of steel alloys to add magnetic properties. Without it, strings across the board would not perform as well. We know already that different metal wraps produce their own signature sound. That is also true of the NíquelPuro line. For lack of a better term, I am going to call wrap metal “Tone Metal.” By virtue of my construction and formulation techniques, I offer more tone metal in my products as a rule.  Cost cutting techniques in the industry have compromised the quality of metal some string companies use and even guided formulations focused on using thicker cores to save on expensive wrap wire. This can make for an opaque, albeit durable, string. I don’t believe this approach serves the instrument, the player, nor the tone, well.   NíquelPuro Electric Guitar Strings are made to help musicians play better, feel confident, and rest assured that they are getting the most from their instrument. You shouldn’t have to beat your instrument or destroy your hands to get a good sound, the strings just need to work for you.   That’s just how I feel about it.

The JHS Pedals Milkman began with a conversation between Josh Scott and Tim Marcus of Milkman Sound. Tim wanted a pedal that could pair perfectly with the tremolo and reverb on his amps, something that country and Americana players could use as their only pedal if desired. Thus the Milkman was born, a perfect combo of slap delay and clean boost that will give you just what you need and not too much. So pour yourself a big glass and tip it back because the Milkman is about to deliver! FEATURES The Milkman has two fully independent effects with the boost on the right side and the slap delay on the left. The boost is a fully clean boost that is fantastic to push your amp into natural overdrive or leave on all the time as a preamp. The slap delay has controls for Slap, Mix, Repeat, and EQ. The Slap control adjusts the time of the delay from 0ms, which can create a doubled type effect, to 250ms to give you just enough echo to get some spacious sounds. The Mix control adjusts the volume of the echo. The Repeat control adjusts the number of repeats the delay will give you. The EQ control adjusts the brightness of the repeats to give you the ability to have a darker more ambient sound or a brighter, chirpier sound that cuts through the mix. SPECS - Two fully independent effects in one small footprint.- Boost allows you to have an always-on preamp or send your amp into natural breakup.- Slap delay to give you just the right amount of echo to give your tone the cream on top.- Perfect for slide, country, rockabilly, and Americana.   THIS PEDAL REQUIRES STANDARD 9V DC NEGATIVE POWER, CONSUMES 27MA, AND MEASURES 2.6"X4.8"X1.6"

  DIGITAL DELAY WITH 1 SECOND MAXIMUM DELAY TIME TWO BUILT-IN FULLY-TUNABLE DRONES FOR INSTANT ATMOSPHERIC BACKING CAN SWITCH BETWEEN TWO NOTES ON-THE-FLY DEEPLY COOL 7-SIDED CUSTOM ENCLOSURE ONE-TONE-DOWN SPOT EFFECT PITCH RAMP-UP FOR MAJOR/MINOR MODES AERIAL VIEW OF DYSTOPIAN CITY LURKING INSIDE! (1:1780 SCALE!) CHORUS EFFECT FOR EXTRA TONE GENERATOR ‘MOVEMENT’ ‘DRY GUITAR’ OPTION FOR PEDAL USE PURELY AS A SOUND SOURCE TURN DOWN THE DRONE SECTION STRAIGHTFORWARD DELAY PEDAL FUNCTION

ULTRASHEER is a stereo reverb and vibrato combination inspired by the early digital studio effects units of the late 1970’s, capable of moving you from a lush warbled space to a shallow room through an intuitive and satisfyingly tactile interfaceThe REVERB algorithm is based on the plate reverb sounds of the classic Lexicon 224 from 1978. The digital processing is downsampled to 16 bits and follows the topology described in the Dattorro paper linked here. This mix of legacy digital processing with modern high quality hardware creates a retro lush sound that we love The VIBRATO is a smooth and transparent digital pitch shifter that preserves the full bandwidth of your input signal and does not darken the sound which is often found in the analog counterparts. Two modulation waveforms are available, “cycle” which is a sine wave for classic Leslie-speaker-type sounds and “random” which is a smoothed sample and hold waveform that creates pitch warbles similar to a warped vinyl or sun-baked cassette- 165mm x 140mm x 45mm- 1/4" mono jacks- Input impedance: 50kΩ- Output impedance: 1kΩ- Current draw: 180mA- Soft-touch foot switches- Buffered bypass- Housed in a single block of walnut, CNC routed, hand sanded & polished