Pedals

The  Walrus Audio Aetos is an 8-output, isolated power supply, utilizing an internal custom wound toroidal transformer to provide the highest noise filtering and cleanest power, giving artists the purest sound in their signal chain. The Aetos is housed in a solid die cast enclosure and is 4.7”long  x 3.7” wide x 2” height and  has 8 total 9VDC outputs, 6 are 100mA and 2 outputs are high current outputs (300mA)  for higher current drawing pedals like line 6 DL series modelers, the Boss Twin Series Pedals and many digital modulation pedals on the market. It comes with a detachable 120V AC Power cord and also has a 120VAC complimentary power output. This unit comes with 8 – 2.1mm barrel black power cables and 2 black-to-red (Line 6) power cables.  We recommend high profile dual lock for mounting the Phoenix under your board. Fits under most pedal boards including Pedaltrain (PT JR and up), Pedal Pad, Blackbird Boards, Creation Music Company, and Holeyboards.

Dynamic, responsive, tube-like, and amp-like. Walrus Audio is extremely excited to announce the new 385 Overdrive that is boastfully responsible for all those adjectives. For decades now, guitarists in search of pure tone have been taking the tube-powered audio sections of vintage film projectors and using it as a guitar amp. Heads up – it sounds amazing. After endless hours of research on vintage Bell and Howell 385 Filmosound projector, Walrus has created a fantastic new overdrive modeled after the projector’s tone. The Bell and Howell 385 gracefully lends itself to create an amazing guitar amp. Its simple, but effective controls, plus dual 6V6 output section make for a simple and extremely responsive amp that has an amazing compressed overdrive when cranked. THIS was the sound and feel Walrus needed to shoot for in an amp-like pedal. The 385 was developed to have the same simple but effective tone control as it’s grandfather. The amp has this as well but bass and treble are stacked behind the single tone knob. With our design breaking them up, we allow for a much wider array of tones to be achieved. The user is able to boost and cut bass and treble, allowing them to be creative with mid-frequency scoops and bumps. The pedal is internally running at 18v, which helps us nail the same dynamic feel of the amp in a stomp box. This means it is extremely sensitive to how hard you dig in – just like the amp. 

The High-Rise is a new premium overdrive with massive frequency range and incredible touch sensitivity. High-Rise responds dynamically to your guitar’s tone settings and enhances them; it doesn’t mask them. The “Steel” circuit acts as a clean boost, bringing clear, organic overdrive to any amp or pedal combination. The “Concrete” circuit delivers additional gain, grit, and saturation. Together, the two circuits offer a myriad of tonal possibilities for a wide range of playing styles. Explore and achieve new tones from each side individually, or use them together. Get higher. The High-Rise was designed by Saul Koll and Portland effects maestro Jack Deville, with graphic design by Aaron Draplin. The knobs were custom designed by Saul and cast by Matt Haramis. It’s true-bypass and runs quietly on a 9VDC adapter or an optional internal 9V battery (run at 18VDC for added headroom and clarity). Every pedal is handmade one-by-one in Portland, Oregon.

The Swarm is an Analog Fuzz Harmonizer that sounds like a thousand killer bees coming to get you! It basically turns your input signal into a square wave, than multiplies and divides the frequency of that wave, giving you nine possible harmonies in two different octaves. Modulation is applied to the harmonies making them go from a nearly perfect tracking harmony to a wild and uncontrollable swarm of mad bees. WORKER sets the level of your input signal, now fuzzy and buzzy. SPECIES allows you to select between 9 different intervals for your harmonies. QUEEN and DRONE set the levels for each of the harmonies that stay one octave apart. FLIGHT and STING control the modulation applied to the harmonies. They are highly interactive controls and you will find many different sounds by just messing with them. STING sets how fast or slow the harmonies will follow your playing. Turn it CCW for it to feel like the harmonies sting you at every note you play. Turn it CW and the harmonies will sound like a drunk bee hovering up and down around the root. FLIGHT will set the response of the modulation. CCW the harmonies will keep it oscillating up and down, while CW it will glide and hold from one note to the next. MASTER control will set your output volume. With all that said, no matter how one tries to explain the theory and what each control does, the Swarm is best when played by instinct.

This is our take on capturing what is arguably the first and last word in all tube amp distortion for bass. The debate always starts and ends with the Ampeg SVT™. The harder you dig the more it growls. The connection between your hands and that kind of natural tube distortion is primal, immediate, powerful, and musical.

A 20-second analog phrase-sampling looper with very low fidelity, frequency response that cuts off at 2.6 kHz, brick-wall compression, hiss, distortion, and a warped-record vibrato feature that makes your guitar sound like an ancient radio transmission, but your direct guitar sounds especially sparkly.

flanging is a really unique type of modulation effect. A good flanger can cover all kinds of territory, from metallic resonance to jet-place whoosh, and anywhere in between. We think the Dynaflanger 213 is a great flanger, and we equipped it with ten unique and useful flanger modes to allow you to express yourself. The Leap Series improves upon our popular Neo Series platform in lots of ways, including: Stereo audio input and output with phase correction Low-noise direct-coupled audio path Improved audio headroom and frequency response FXCore DSP with more than 8 times the processing power than our previous Neo Series pedals 32 onboard presets (4 banks of 8 presets each,) all accessible on the pedal without the need for external controls.

It’s time to rediscover your affinity for trippy reverse reflections, washed-out reverberations and crystal-clear repeats. The Alexander Pedals Rewind is a reimagining of our flagship delay platform. Ten rejuvenated delay types, all the under-the-hood functionality you require, and an OLED display for instant recall of every parameter. Record, Repeat — Rewind.

The Alexander Syntax Error 2 is our newest noisemaker, designed to help you create your very own arcade soundtrack using guitar, bass, keys, or whatever. Featuring the powerful new FXCore DSP, Syntax Error 2 packs more power, punch, and possibilities than any other Alexander pedal thus far.

NECTAR TONE SWEETENER   The Nectar "Tone Sweetener" strikes a perfect balance between versatility and simplicity. It offers a wide range of tones, spanning from a vintage tweed-style crunch to a full-bodied overdrive, and even a modern high-gain fuzz that pairs wonderfully with any guitar, pedal or amp. Use the mode toggle to switch between the DRIVE and FUZZZ modes, while the LEDS indicate the selected mode, even when the effect is bypassed. Fine-tune your sound with the TASTE control to set the perfect eq for each guitar or amp. The Nectar's responsiveness is truly unparalleled, like a delicate bee collecting pollen. Every nuance of your playing is enhanced and sweetened in the best way possible, with plenty of headroom. JUST AS NATURE’S NECTAR ENERGIZES WORKER BEES, THIS PEDAL SERVES AS THE FOUNDATION FOR YOUR TONE.Hand made in California by a swarm of bees.  BEE YOURSELF

Introducing the Octahive v2, one of our legendary bees that has been buzzing since day one! This pedal draws inspiration from the iconic '70s octave pedals, blending vintagetones with modern enhancements. In BUZZZ mode, prepare to unleash a ferocious high-gain fuzz that's perfect for lowriffage and powerful chords. Enter the mystical OCTAVE mode and watch as you'retransported to a mind-bending psychedelic wonderland. And here's a tip fit for a Queen Bee: Roll down the PRE control, switch to your neck pickup, and watch those beeautiful octave harmonics take center stage. But that's not all! We've matched vintage tone with cutting-edge features to enhance your playing experience. Hold the footswitch to instantly switch from BUZZZ to OCTAVE, giving you complete control over your sonic destiny. And with a quick double tap, seamlessly shift between modes, keeping your creative flow buzzing. With three footswitch profiles, you can customize the speed of your momentaryswitching. It's all about tailoring the pedal to perfectly suit your unique vibe!The Octahive v2 is here to deliver the sweetest high octave buzz and allow yourcreativity to soar. Embrace the hive magic and let your sound bee heard like never before!. 

FLWR is an overdrive, distortion and sometimes fuzz! It starts very clean and gets up into Fuzz territory at max settings. It's designed to help you find your own breakup point, so your playing can stay dynamic and full range and still breakup nicely when pushed. The SHAPE controls manage the first gain stage, you can check the quickstart guide and example settings for more info. GAIN controls the second gain stage, and the control is non-linear. As you add gain the response gets a little warmer, helping tame highs at higher gain without losing clarity at lower gain. The clipping diode array is modular, pop off the back cover and you can swap out for a different array. PCBs are available to make your own module - if you happen to believe that some diodes are magical you are free to go on a side quest and track them down! FLWR ships with one module containing two array options. Select 1 or 2 on the CLIP control to engage them. The stock diode arrays are designed to be very subtle, but more extreme arrays are possible. FLWR uses the same WHATEVER power supply featured on EUNA and OAMP - the pedal will accept 7.5 to 35 volts of AC or DC in either polarity with absolutely no change in tone or power to the circuit. Overall size - Imperial is length (depth) 3 5/8", width 3 3/8", height 2 1/8" maxMetric is length (depth) 90mm, width 85mm, height 52mm max Same depth and height as EUNA and OAMP

What can be said about the humble boost pedal? It's an AC wave riding on a DC voltage and I did my very best to elevate it. JFET is rooted in my deep love of FET transistors, and their corresponding place in the hearts of many pieces of gear. FETs are very early solid-state devices that were designed to emulate vacuum tubes as closely as possible, and they have found their way into a sizeable number of classic pieces of gear. As usual for 29 we don't copy or emulate any of those, but start from a ground-up design. The JFET stage is neatly biased for a specific THD ratio, just enough hair to be tube-y but still very clean by most standards. A dual-stage IC output driver shapes the tone and ensures the output impedance stays constant as you turn the level fader. The three modes tailor the low end in a gentle way for fine-tuning of the boost sound with your guitar. Sounds great after EUNA, or as an alternate front-end to your board, makes about 18dB of gain and LOVES to be stacked with FLWR and other drives! Will happily drive cables and draws about 150mA. Still features our WHATEVER internal power supply and the build quality you've come to expect from BELIEVABLE AUDIO. Imperial is length (depth) 3 5/8", width 3 3/8", height 2 1/8" maxMetric is length (depth) 90mm, width 85mm, height 52mm max Same depth and height as EUNA and OAMP

OAMP is the Output AMPlifier from 29 Pedals.An output driver that replaces conventional buffers, line drivers and preamps, OAMP makes up to 29dB of gain, provides final signal conditioning and sweetening, and will drive lots of cable or capacitive loads. OAMP will drive down to 600 ohms! The alt path is similar to EUNA, it's active when the pedal is OFF. This will allow you to swap to a different output driver and create a sort of local channel-switching on your pedalboard. Also features the 29 Pedals WHATEVER power supply, which accepts 7.5 to 35 volts of AC or DC in either polarity with no change in tone. OAMP is made by 29 Pedals in California.OAMP has strong enough drive to drive several loads, passive splitters are no problem. You can manage the 29dB of gain using the two toggle switches, each stage has low and hi gain settings as well as a fixed tone filter. The Level control sits between the two gain stages and doesn't affect the overall input and output impedances. The Presence control dials in some classic amp-style mid-scoop to tailor the midrange drive, or simulate an amp when going direct.Check the quick-start guide and videos in the media section!

Vexter Series pedals are lower priced, featuring silk-screened art. The parts inside Vexters are identical to the hand painted models.