Nystrum Guitars

The Alexander Syntax Error 2 is our newest noisemaker, designed to help you create your very own arcade soundtrack using guitar, bass, keys, or whatever. Featuring the powerful new FXCore DSP, Syntax Error 2 packs more power, punch, and possibilities than any other Alexander pedal thus far.

NECTAR TONE SWEETENER   The Nectar "Tone Sweetener" strikes a perfect balance between versatility and simplicity. It offers a wide range of tones, spanning from a vintage tweed-style crunch to a full-bodied overdrive, and even a modern high-gain fuzz that pairs wonderfully with any guitar, pedal or amp. Use the mode toggle to switch between the DRIVE and FUZZZ modes, while the LEDS indicate the selected mode, even when the effect is bypassed. Fine-tune your sound with the TASTE control to set the perfect eq for each guitar or amp. The Nectar's responsiveness is truly unparalleled, like a delicate bee collecting pollen. Every nuance of your playing is enhanced and sweetened in the best way possible, with plenty of headroom. JUST AS NATURE’S NECTAR ENERGIZES WORKER BEES, THIS PEDAL SERVES AS THE FOUNDATION FOR YOUR TONE.Hand made in California by a swarm of bees.  BEE YOURSELF

Introducing the Octahive v2, one of our legendary bees that has been buzzing since day one! This pedal draws inspiration from the iconic '70s octave pedals, blending vintagetones with modern enhancements. In BUZZZ mode, prepare to unleash a ferocious high-gain fuzz that's perfect for lowriffage and powerful chords. Enter the mystical OCTAVE mode and watch as you'retransported to a mind-bending psychedelic wonderland. And here's a tip fit for a Queen Bee: Roll down the PRE control, switch to your neck pickup, and watch those beeautiful octave harmonics take center stage. But that's not all! We've matched vintage tone with cutting-edge features to enhance your playing experience. Hold the footswitch to instantly switch from BUZZZ to OCTAVE, giving you complete control over your sonic destiny. And with a quick double tap, seamlessly shift between modes, keeping your creative flow buzzing. With three footswitch profiles, you can customize the speed of your momentaryswitching. It's all about tailoring the pedal to perfectly suit your unique vibe!The Octahive v2 is here to deliver the sweetest high octave buzz and allow yourcreativity to soar. Embrace the hive magic and let your sound bee heard like never before!. 

User's Manual Download The Seabee is a multi-chorus pedal that delivers the finest analog bucket brigade chorus tones, but like any Beetronics, it goes a few steps further. By digitally controlling the chorus delay time, the Bees have created Harmochorus - a never-before-heard pitch shifting modulation that can certainly inspire new genres. Three Chorus modes provide the classic, lush chorus and vibee sounds we all love, with each mode offering the ability to control the effect in different ways. Vary between two different speeds and/or depths, go from zero to full depth intensity, or even increase the chorus delay time for a whole new spectrum of sounds. Three Harmochorus modes give you a unique and inspiring new approach to the effect. The easiest way to explain it's that, when clean, it sounds like angel bees are accompanying you, and when paired with some buzz, it sounds like a swarm of killer bees producing the most dangerous pitch shifting modulation are after you! You can choose between two different pitches and speeds, a combination of twelve chords and twelve different arpeggio patterns, or simply choose between thousands of random patterns. No matter which mode you choose, the Seabee will navigate you to inspiring and creative places. Its simple layout with only three knobs hides a multitude of possibilities with alternate controls, three ramp shapes, tap tempo, a 4-way tone filter, feedback control, and a rate that ranges from very slow to ultra-fast waves, even reaching ring modulator ranges.  Did we mention there are two stereo output options, 16 onboard presets, full MIDI control, expression in, external tap and 4 input level options so you can process guitar, bass, all kinds of active pickups or synthesizers and still keep the bucket brigade in its sweetest spot? We know it's hard to believe that an analog chorus can be so complete, versatile, unique and intense - all at the same time. But get ready, because Tone Fishing is about to beecome a thing. Some of the Seabee Harmochorus highlights include:   Analog sound path with the finest bucket brigade chorus tones. 3 Chorus modes / 3 Harmochorus modes Never before heard pitch shifting chorus with arpeggios and random patterns. Truly expressive ramping gives you musical control. 16 Onboard presets,Tap Tempo, MIDI, Expression and more. Selectable input level (supports guitar, bass, active pickups, synthesizers and more)   Hand-assembled in Los Angeles, CA. SPECS Pedal Size - 5.5" x 4" x 2.75" (including knobs, switches and etc) Enclosure Dimensions -  5.5“ x 2" x 3.5” Pedal Weight - 1.25 lbs / 0.5 kg Package Weight - 0.2 lbs / 0.1 kg Package Size - 6" x 3" x 5.5" Current Draw - 250mA Requires 9VDC power supply (Center Negative) *Does not include power supply

 VEZZPA Octave Stinger  AS THE NAME STATES THIS IS NO ORDINARY BEE. IT’S ACTUALLY A WASP, A NASTY AND AGGRESSIVE ONE WITH AN OP-AMP HEART THAT CAN PRODUCE AN EXTREME HIGH-PITCHED BUZZ. ON FUZZZZ MODE YOU GET A BIG WALL OF FUZZ, GREAT FOR THE COOLEST RIFFS AND POWER CHORDS. TURN DOWN THE SUSTAIN CONTROL TO GET A SPITTY FUZZING TONE OR TURN IT UP FOR A GATED SUPER HIGH GAIN FUZZ. ON STINGER MODE THIS WASP GETS AGGRESSIVE, BRINGING UP THE HIGH OCTAVE AND CUTTING THROUGH THE MIX. HARMONICS ON CRACK BEST DEFINES IT! ITS MULTI-FUNCTION SWITCH ALLOWS YOU TO SELECT BETWEEN THE MODES OR ACCESS THEM MOMENTARILY GIVING YOU MULTIPLE OPTIONS TO BUZZ.  BEE READY TO GET HIGH ON HONEY TONES! SPECS Pedal Size - 5.5" x 3.5" x 2.75" (including knobs, switches and etc) Dimensions - 4 1/2 “ x 2 1/4 “ x 2 1/4” Pedal Weight - 0.5 lbs / 0.25 kg Package Weight - 0.75 lbs / 0.5 kg Package Size - 6.75" x 5.25" x 3.25" Current Draw - 36mA Requires 9VDC power supply (Center Negative) *Does not include power supply

THE ZZOMBEE “FILTREMULATOR” IS A ONE OF A KIND ANALOG MULTI EFFECT THAT DELIVERS FILTER, WAH, LFO, RANDOMIZED FILTER, TREMOLO, SWELLS, OVERDRIVE, FUZZ, LOW-OCTAVE AND THE NEVER BEEFORE HEARD HONEY PATENTED CROSS TREMOLO, A VERY UNIQUE KIND OF TREMOLO THAT PULSES BETWEEN THE FUNDAMENTAL AND A LOW OCTAVE. ITS UNBEELIAVABLE ANALOG TONES ARE ENHANCED BY AN INNOVATIVE WAY OF RAMPING AND CONTROLLING MODULATION MOVEMENTS THAT USES A MOMENTARY FOOTSWITCH IN THE MOST MUSICAL WAYS. THESE CONTROLS MAKE THE PEDAL AN EXTENSION OF YOUR INSTRUMENT, BEECOMING AN ESSENTIAL TOOL TO EXPAND YOUR CREATIVITY. THE SOUNDS FOUND IN THE ZZOMBEE ARE VERY UNIQUE AND WOULD REQUIRE A VERY COMPLEX RIG TO BE RECREATED. THATS BECAUSE THE INSTRUMENT SIGNAL GETS A 4 STAGE GAIN BUZZ SELECTION AND RUNS IN PARALLEL TO A MONOPHONIC LOW OCTAVE BEEAST, IN THE MOST BEETRONICAL STYLE. THE FILTER CAN BE APPLIED TO EITHER OF THESE WITH THE OTHER REMAINING UNTOUCHED. THREE MODES OF MODULATED FILTER CAN CREATE WAH-LIKE EFFECTS (THAT WILL MAKE YOU WANNA DITCH YOUR OLD BULKY WAH PEDAL), HONEY WAVES OF LFO OR OVER FIFTY THOUSAND VERY MUSICAL RANDOM PATTERNS. THREE MODES OF MODULATED AMPLITUDE CAN CREATE THE CROSS-TREMOLO, TRADITIONAL TREMOLO OR VOLUME SWELLS. TO TOP IT OFF, THIS ANALOG BEE IS DIGITALLY PARASITIZED AND INCLUDES TAP-TEMPO FUNCTION, CV CONTROL, EXTERNAL TAP, EXPRESSION OUT AND CAN SAVE PRESETS. WE KNOW YOU GOT STUNG AND THERE’S NO WAY BACK FROM BEECOMING A ZZOMBEE. WELCOME TO THE HIVE! SPECS Pedal Size - 5.5" x 4" x 2.75" (including knobs, switches and etc) Enclosure Dimensions -  5.5“ x 2" x 3.5” Pedal Weight - 0.9 lbs / 0.40 kg Package Weight - 0.2 lbs / 0.1 kg Package Size - 6" x 3" x 5.5" Current Draw - 100mA Requires 9VDC power supply (Center Negative) *Does not include power supply

EUNA is the Elite UNity Amplifier from 29 Pedals.  An input driver that replaces a conventional buffer, EUNA is built to protect and condition your instrument's signal to prepare it for whatever you want to do with it. Console grade build, three great sounding filters, and an alt-path insert loop for your classic fuzz and wah circuits that don't want to be buffered. Also features the 29 Pedals WHATEVER power supply, which accepts 7.5 to 35 volts of AC or DC in either polarity with no change in tone. EUNA is made by 29 Pedals in California. Even a few true-bypass pedals and 20' of cable can hang out your guitar's output and make it feel mushy and dark. Buffers can help, but they are often very simple circuits that create sonic issues of their own.EUNA is an Elite UNity Amplifier. It is designed to protect and condition your guitar’s signal. Use it in place of an input buffer. Plug directly in, first in the chain. You can safely remove all other buffers after it if you wish. We recommend an output driver at the end of your chain. You can use a conventional buffer, or try our output amplifier OAMP. Plug your guitar directly into EUNA with the shortest cable that is convenient.EUNA features an effects loop that activates when EUNA is OFF. It was designed for use with vintage or vintage-style fuzz pedals. The interaction between your guitar and your fuzz is disturbed by any buffering, so EUNA’s effects loop allows you to switch between a buffered input and guitar-direct-to-fuzz. You can also use the loop to remove your tuner’s buffer from the signal chain. Let us know what other uses you find for the loop! If nothing is plugged in to the loop, the pedal is true-bypass when switched off.EUNA features 29 Pedals’ WHATEVER power supply. The WHATEVER power supply accepts 7.5 to 35 volts of AC or DC (either polarity) with absolutely no change in tone. It’s true!!EUNA has three sweetening circuits - Harmonics, Bright and Low. Low adds a little bit of low end. Not too much, just a little bit for some sweet oomf or to make up for low-end loss in your pedal chain. Bright adds some brightness, and Harmonics pushes the air band where guitar harmonics are. Harmonics adds sweet, tube-like chime to any rig.EUNA preserves "touchyness" and "snap." There is also an increase in effective dynamic range of your signal, and in some cases coil noise is reduced! The custom-tailored load kicks the resonant peak of your pickups out typically about 5 or 10k compared to a load of a few true-bypass switches and reasonable cabling. The pickup’s top-end rolloff is smoother too. You'll feel more chime and less pinchy top-end.EUNA will take over +18dB input with extremely low THD* - many other pedals fold about +10dB or less! The extra headroom on the front end means that EUNA will pass through your entire signal. That extra headroom means that fast transients won't ever run out of room - no relatively normal electric guitar could clip this, even for an instant. It's absolutely flat from 10Hz to 50kHz, but all the above features create a perceived tone "sweetness."Connect power to the WHATEVER power input with a standard DC plug. You can use AC or DC, either polarity, 7.5 to 35 volts. EUNA consumes about 120 mA.Use the footswitch to engage or disengage EUNA. The light is brighter when EUNA is ON. When EUNA is OFF the insert loop is ACTIVE. If nothing is plugged into the insert loop, EUNA will be in True Bypass mode when switched off. You can connect a pedal to the Send/Return jacks. Connect SEND to the INPUT of the pedal you want to connect. Connect RETURN to that pedal’s OUTPUT.EUNA is DIY friendly - the opamp is socketed so you can very easily audition chips. Notes on the PCB will help experienced DIYers tailor EUNA completely to their rig. EUNA will drive down to 600 ohms perfectly flat, but there are a few places to delight in hacking. Remove only 4 screws and you can service/mod the entire audio path without disturbing the power supply side or removing the board from the chassis.The construction is a single 4 layer PCB with 2oz copper throughout. Huge traces and fully plated holes, like high-end recording equipment and hifi gear. This method provides superior fidelity and transmission. No jumper wires, fewer soldered connections, shorter paths, more copper. The power supply side is completely isolated from the audio side with a layer of shielding and separate ground planes connected at a single point in a proper star-ground configuration. No electrolytics in the signal path, only for PSU filtering. 1% thin-film resistors, WIMA film caps and other audiophile-grade components complete the short signal path.*THD better than 0.01% at +19dBu input & 10K Ohm load.THD better than 0.01% at +17dBu input & 600 Ohm load.125mm x 92mm or 4.875" x 3.625" footprint. 51mm or 2" tall.

FLWR is an overdrive, distortion and sometimes fuzz! It starts very clean and gets up into Fuzz territory at max settings. It's designed to help you find your own breakup point, so your playing can stay dynamic and full range and still breakup nicely when pushed. The SHAPE controls manage the first gain stage, you can check the quickstart guide and example settings for more info. GAIN controls the second gain stage, and the control is non-linear. As you add gain the response gets a little warmer, helping tame highs at higher gain without losing clarity at lower gain. The clipping diode array is modular, pop off the back cover and you can swap out for a different array. PCBs are available to make your own module - if you happen to believe that some diodes are magical you are free to go on a side quest and track them down! FLWR ships with one module containing two array options. Select 1 or 2 on the CLIP control to engage them. The stock diode arrays are designed to be very subtle, but more extreme arrays are possible. FLWR uses the same WHATEVER power supply featured on EUNA and OAMP - the pedal will accept 7.5 to 35 volts of AC or DC in either polarity with absolutely no change in tone or power to the circuit. Overall size - Imperial is length (depth) 3 5/8", width 3 3/8", height 2 1/8" maxMetric is length (depth) 90mm, width 85mm, height 52mm max Same depth and height as EUNA and OAMP

What can be said about the humble boost pedal? It's an AC wave riding on a DC voltage and I did my very best to elevate it. JFET is rooted in my deep love of FET transistors, and their corresponding place in the hearts of many pieces of gear. FETs are very early solid-state devices that were designed to emulate vacuum tubes as closely as possible, and they have found their way into a sizeable number of classic pieces of gear. As usual for 29 we don't copy or emulate any of those, but start from a ground-up design. The JFET stage is neatly biased for a specific THD ratio, just enough hair to be tube-y but still very clean by most standards. A dual-stage IC output driver shapes the tone and ensures the output impedance stays constant as you turn the level fader. The three modes tailor the low end in a gentle way for fine-tuning of the boost sound with your guitar. Sounds great after EUNA, or as an alternate front-end to your board, makes about 18dB of gain and LOVES to be stacked with FLWR and other drives! Will happily drive cables and draws about 150mA. Still features our WHATEVER internal power supply and the build quality you've come to expect from BELIEVABLE AUDIO. Imperial is length (depth) 3 5/8", width 3 3/8", height 2 1/8" maxMetric is length (depth) 90mm, width 85mm, height 52mm max Same depth and height as EUNA and OAMP

OAMP is the Output AMPlifier from 29 Pedals.An output driver that replaces conventional buffers, line drivers and preamps, OAMP makes up to 29dB of gain, provides final signal conditioning and sweetening, and will drive lots of cable or capacitive loads. OAMP will drive down to 600 ohms! The alt path is similar to EUNA, it's active when the pedal is OFF. This will allow you to swap to a different output driver and create a sort of local channel-switching on your pedalboard. Also features the 29 Pedals WHATEVER power supply, which accepts 7.5 to 35 volts of AC or DC in either polarity with no change in tone. OAMP is made by 29 Pedals in California.OAMP has strong enough drive to drive several loads, passive splitters are no problem. You can manage the 29dB of gain using the two toggle switches, each stage has low and hi gain settings as well as a fixed tone filter. The Level control sits between the two gain stages and doesn't affect the overall input and output impedances. The Presence control dials in some classic amp-style mid-scoop to tailor the midrange drive, or simulate an amp when going direct.Check the quick-start guide and videos in the media section!

SOUNDDrawing inspiration from our history in tape and bucket brigade echo servicing, our design goal was creating floaty and colorful repeats with a chaotic yet musical degradation. That’s the heart of the thing, the whole point.RANGE With a 30ms-1250ms range, the Benson delay goes fast enough to do chorus, vibrato and slapback, and slow enough to create blurred and haunted soundscapes, with a whole spectrum of warbly musical sounds in between. ALIENS Hold down the tap knob to boost feedback for some self oscillation! Perfect for holding notes out, and especially for making alien invasion noises in tandem with the time knob (within a toe’s reach). Works when the feedback knob is up a bit. Does not introduce unwanted clicking sounds into the signal path. Adjustable via internal trim pot.WARBLEThe Low Frequency Oscillator has a tremendous range of both speed and depth, as well as sine, square and random waveforms. Does warble, seasick, tape flutter, all the good sounds. TAPThe Benson Delay has the most accurate tap tempo ever applied to the PT2399 thanks to Bontempo, an open source technology concocted by Antoine Ricoux at Electric Canary, which was then refined and implemented by film colorist Octave Zangs (two geniuses). Each pedal CALIBRATES ITSELF IT’S SO COOL.SMOOTHWe wanted to avoid the more modern issues of delay design; like the digital jaggedness that can come from adjusting the time control on a digitally clocked device, whether analog or a fully digital simulation (HAS THIS EVER HAPPENED TO YOU?). In other words, let’s not assume the aforementioned aliens have glitchy spaceships.WOW THE NARRATIVEThe design process was characteristically obsessive and obliquely dysfunctional, so we’ll spare you most of it. Lots of bright people in the industry left their mark in one way or another. Special shout outs to Jack Deville, Bryan Sours and John Snyder. Lessee...after dutifully slogging through the modern bucket brigade scene for a while, we found our paradise in the form of the ubiquitous PT2399. Turns out, when you treat it well, you can get a great sounding delay with a massive range out of it.  We utilized a combination of gooey compander chip, analog filtering, and careful gain staging (amp designers are decent at that). We hope you love it.THE MENUTo access LFO waveform and tap division menu, hold down BYPASS for two seconds, then tap TAP/ HOLD once. BYPASS switch toggles between SINE, SQUARE and RANDOM waveforms, which will blink 1, 2 or 3 times respectively. TAP/HOLD switch toggles through QUARTER, DOTTED EIGHTH, and EIGHTH note tap divisions, and the LED will blink 1, 2 or 3 times (respectively). Hold down BYPASS for two seconds to exit MENU. Center Negative 9VDC power supply, 100ma current draw.2 years warranty excluding modification or damage.  

The DISTURBANCE is an extreme filter, flanger, and phaser with modulation like you've never heard before. DISTURBANCE’s controls allow for a wide range of sounds to be sculpted perfectly to your needs. The ‘Tensity’ knob changes the feedback amount and structure of all effects, with two totally different intensity options to choose from for each disturbing modulation. The Filter allows for deep swells and piercing resonance with highpass and lowpass options. The Flanger creates a classic modulation sound with options for watery, multi-tap delay matrixes or a screaming flange with distorted feedback. Last but certainly not least, the Phazer mode is a psychedelic 8-stage phaser sound with options for mellow filtered scoops on one side and combination phaser/flanger on the other. But that’s not all - the pedal introduces a brand-new way to control an effect: The custom-designed modulation core lets you pause the LFO where it stands and listen to the strange world of frozen modulation. Not only does this new system control its own sounds, the DISTURBANCE includes a CV OUT jack which lets the modulation control signal be sent to whatever device dares let it in. Go forth and DISTURB and bend, break, and twist your sound!

Call in the Army, the Navy, Scotland Yard, your mom, and the Mario Brothers! You'll need all the help you can get to stop this endless wall of fuzz from raging! This kill-all circuit explodes the meanest, nastiest, most insane distortion to make you the ruler of the fuzz universe. This Death By Audio pedal has hand spray-painted graphix covering up meaty components and sound, giving you a high-tech fuzz mutilator at a punk rock price. With three knobs it can create a multitude of ultimate fuzz, boost, overdrive, and distortion sounds. Listen for yourself and you will see, this is the thickest-sounding sustaining fuzz pedal we have ever heard.

The Germanium Filter is our love letter to sticking a pencil through your speaker. Start with a console-style drive circuit, made from obsolete germanium transistors, and finish it off with a super intense DBA-style filter, and BLAMO! You’ve got a sound heavy enough to crush and sharp enough to slice. The Filter control is extremely versatile - it’ll take you from bottomless, sub-woofered out lows to super searing and brittle highs, with a universe of tone in between. The Germanium Filter will help you find the sweet spot for your instrument in any situation—at a show, in the studio, or even on the side of the highway! The Gain control starts with a dirty boost that then spans through saturated drive, spitting distortion, and a blistering fuzz tone. Get ready for your sound to be Germaniumized!