Products

Designed for vocals, the Echo Master is a lo-fi, analog tape-style delay unit that can transform the delay sound into a chaotic realm of noise and feedback. The effects loop allows additional effects to be routed into the output, making it easy to fuse any of your favorite effects pedals with your vocal sound.  The Echo Master is not just a delay unit, however. It utilizes matched Bourns transformers on the input to create a vibrant-sounding preamp to bring you phenomenal vocal quality before you even hit the PA. Your sound engineer will hate you because you'll sound better than ever without their help. Top it off with high quality Neutrik XLR jacks and the Echo Master is the ultimate tool for taking total control of the sound of your voice. CONTROLS Time: Controls the delay time, with numbers labeled in milliseconds. In the Red Zone, the delay chip is pushed to the extreme. The signal decreases in fidelity as the time increases. F-Back: Controls the number of repeats in the delay circuit, anywhere from one to an infinite to a wall of oscillation. Mix: Controls the level of the delayed channel in comparison to the dry signal, from fully dry to an equal mix. Send/Receive: Plug out of the Send jack into any additional effects, then back into the Return jack to introduce new sounds into your vocals. SPECIFICATIONS Dimensions: 6.09" x 3.45" x 2.75" (including hardware). Weight: 16oz. (w/ Alternate Back Plate 30oz.) Power: 9V (runs on standard 2.1mm negative center 9V adapter). Current Draw: 25 mA. *Alternate Backplate: The Echo Master can also be purchased with a backplate that mounts to your mic stand. Puts the pedal within hands reach to maximize live performance tweak-ability. Recently upgraded with a die cast screw and heavy-duty welded mount. 

Psycho HP/BP/LP filter with LASER ETCHED ENCLOSURE. Can be pushed past the limit to glitch out into octaves up, down, and envelope folds. The EVIL FUZZ is just that total balls to the wall or balls to the wall times 2 with blooming inverted compression. The CV/Expression in enables you to move the filter up and down in sync with an arpeggiating synth or control it with an expression pedal.   Sounds amazing with synth, guitar, and amplified skateboard.

Call in the Army, the Navy, Scotland Yard, your mom, and the Mario Brothers! You'll need all the help you can get to stop this endless wall of fuzz from raging! This kill-all circuit explodes the meanest, nastiest, most insane distortion to make you the ruler of the fuzz universe. This Death By Audio pedal has hand spray-painted graphix covering up meaty components and sound, giving you a high-tech fuzz mutilator at a punk rock price. With three knobs it can create a multitude of ultimate fuzz, boost, overdrive, and distortion sounds. Listen for yourself and you will see, this is the thickest-sounding sustaining fuzz pedal we have ever heard.

The Robot is a low fidelity 8 bit pitch transposer with absolutely no feelings whatsoever. It is completely synthetic and transforms any input into a puree of resynthesized robot jargon. Features bendable super lo-fi octave up, octave down, arp, and unity pitches. Highlights Volume: Controls master volume. Control Knob: Located on the right-hand side of the pedal. Controls the pitch of the effect. When turned up completely clockwise, it is at its highest pitch. Turning down, counterclockwise, lowers the pitch or speed of the arpeggiator. Dimensions: 5.9" x 4.75" x 2.75" (including knobs and jacks). Weight: 17 oz. Power: 9V (runs ons a positive ring, negative tip 9V DC adapter or included 9V battery). Note: Requires a dedicated power supply and will not work with any daisy chain power system. Current Draw: 23 mA.

ROOMS is a stereo, multi-function digital reverb capable of searing volume, gated walls of sound, and long, trailing reverberant ambiances with an intuitive array of controls designed with live mood-bending in mind. ROOMS was designed to the highest standards of flexibility and audio fidelity. A studio-quality mixer section provides independent DRY and FX controls over six meticulously programmed reverb algorithms; ROOM, DIGIT, PEAK, GATE, WAVE, and GONG. Each different verb is capable of a universe of sounds, and ROOMS is here to help you explore them. ROOMS' creative I/O switching and dual-mono dry signal lines allow for a wealth of possible mono and stereo configurations, making it easy to route signals for parallel processing or stereo amplifier setups. CONTROLS  FREQ: Controls the frequency parameter of the current mode. DEPTH: Controls the depth parameter of the current mode. TIME: Controls the reverb time in all modes. DRY: Controls the volume of the dry signal, from -inf to 20x gain. FX: Controls the volume of the reverb signal, from -inf to 20x gain. ALT: Engages the ALT mode, switching between two sets of controls. When active, FREQ is controlled with the F knob, DEPTH with the D knob, and TIME with the T knob. Additionally, the ALT mode turns on expression control of either FREQ or TIME using the F<->T Switch on the side of the pedal. NOTE: Expression control ONLY works in ALT mode and when an expression pedal is plugged in. SPECIFICATIONS Dimensions: 5.95" x 3.86" x 2.96" (including hardware). Weight: 18 oz. Power: 80 mA, 9V (runs on a standard 2.1 mm negative center 9V adapter). Expression Pedal: Almost any expression pedal will work with ROOMS. When not plugged in, the controls work as normal. NOTE: Expression control ONLY controls the F or Tknobs when ALT mode is engaged and when an expression pedal is plugged in.

The Death By Audio Soundwave Breakdown takes the idea of a screaming fuzz pedal and turns it inside out utilizing specially matched transistors turned backwards to get its bombastic sound. The one knob controls extreme biasing of one of the transistors and the other controls intense filtering. The combination of allow a vast universe of fuzz/distortion/buzz/grind/bleeps/synth sounds and soundwave manipulation. The exact positions of the knobs yield completely different sounds. Be forewarned, it is only balls to the wall fuzz all the time.  

The SPACE BENDER chorus modulator replicates and warps your signal into beautiful and organic transmissions from a dimension somewhere beyond linear time. Under the hood lies an array of dynamically modulated delay lines allowing you to craft subtle vintage sci-fi sounds, bending sonic bedlam, and pulsing atmospheres. Never again will you say this chorus pedal just isn't intense enough! These in combination with the rocker switch settings let you move smoothly through a wide range of effect types allowing for new ways of thinking and experimenting with modulated delay, chorus, and flanger. Stretch and pull your sound waves to craft glassy bell resonances, massive reverse dive bombs, and seasick demon drones with a simple (but deep) interface. The spectrum of living, breathing sound manipulations stowed within the SPACE BENDER serves as an interstellar gateway for the next wave of musicians to create a universe of haunting and unexplored soundscapes. See you on the other side!

Made from the EXACT same cable as our standard straight guitar cables, absolutely no compromising went into this coiled guitar cable. Most coiled guitar cords on the market are not manufactured with the same exacting standards my clients have come to know and expect from my work. This coil instrument cable is a product I happily stand behind. This coiled guitar lead maintains it’s curly shape through the pushing and pulling of rigorous use. Unlike every other curly cable on the market, this cable will not fail. All of our curly cables are made with 30 feet of cable and can be made with either black, red, white, purple, or orange PVC jackets. 20 AWG stranded center conductor, a spiral shield of bare copper providing 95% coverage. Semi-conductive PVC covering reduces Tribo-Electric Noise and provides clean, low-noise performances, without microphonics. Low capacitance (30 pF/FT) provide a rich warm tone, not bright, harsh or brittle- the result of overly low capacitance- and not too dull or muddy- caused by too high of a capacitance. The oxygen free copper used in our cables delivers the purest sound quality while remaining flexible and noise free. Thick (.280”), heavy-duty PVC outer jacket designed to withstand the rigors of heavy use while maintaining flexibility. Every cable is soldered by hand using the highest quality silver solder. Available in G&H Industries or Neutrik silentPLUG* plugs Completely made by hand in the USA. Divine Noise offers a lifetime no hassle warranty on every cable. All of our curly cables can be made with either black, red, white, purple, or orange PVC jackets.

The output of your amp is opposite of the guitar’s signal; low impedance high power. Our high-end speaker cable is made to carry a relatively high AC current and voltage from the output of your amp to the speakers. Optimal signal flow is achieved by using large diameter cable from the amp to the speakers, that’s why thin gauge speaker wire is for suckers! Made from 10 AWG (oversized straight connectors) and 12 AWG (oversized right angle connectors) stranded Oxygen Free Copper which offers very low capacitance and inductance for a pure clean warm sound The twisted-pair wire construction eliminates hum The only cable manufacturer to offer oversized right angle ends on 12 AWG wire offering a lower profile on the backs of amp heads and cabinets (12 AWG wire only) Every cable is soldered by hand using the highest quality silver solder G&H Plugs Completely made by hand in the USA. Divine Noise offers a lifetime no hassle warranty on every cable

Every cable that I make is cut, soldered, and assembled by hand in Portland, Oregon. I use only the highest quality products to ensure that you get the most out of your equipment. Everything from the thick, heavy-duty PVC jacket on my proprietary cables, to the highest quality silver solder to secure components is done to create a reliable, great sounding, high caliber product that you can trust. Thus we give you cables made for the tortures of touring with the assurance of performance. All of our straight cables can be made with either black, red, white, purple, or orange PVC jackets. 20 AWG stranded center conductor, a spiral shield of bare copper providing 95% coverage. Semi-conductive PVC covering reduces Tribo-Electric Noise and provides clean, low-noise performances, without microphonics. Low capacitance (30 pF/FT) provide a rich warm tone, not bright, harsh or brittle- the result of overly low capacitance- and not too dull or muddy- caused by too high of a capacitance. The oxygen free copper used in our cables delivers the purest sound quality while remaining flexible and noise free Thick (.280”), heavy-duty PVC outer jacket designed to withstand the rigors of heavy use while maintaining flexibility. Every cable is soldered by hand using the highest quality silver solder. Available in G&H Industries or Neutrik silentPLUG* plugs Completely made by hand in the USA. Divine Noise offers a lifetime no hassle warranty on every cable. All of our straight cables can be made with either black, red, white, purple, or orange PVC jackets.

The Avalanche Run is a dreamy stereosonic exploratory multi-tool that includes up to 2 seconds of delay time, reverse delay, tap tempo with subdivision control, switchable true bypass or buffered bypass with 5 different tail lengths (including a sound-on-sound style lo-fi looping mode) and an assignable expression control that maps the expression jack to a control of your choice, including the toggle! The delay section allows tweaking from tape emulation to bucket brigade styles with a twist of the wide-range Tone control. The cavernous, plate-style reverb has just a touch of modulation similar to the one found in our precious Dispatch Master only more lush with an adjustable Decay. Otherworldly reverse delay and dynamic swelling reverb settings are accessible through a 3-way toggle switch. And that’s just the beginning...

Blumes™ is an all-analog tri-mode soft clipping bass overdrive that carries the torch of the classic screamer circuit but has a voice all its own. While embodying most of the characteristics and features of our beloved Plumes® Small Signal Shredder, this modified circuit has double the gain and a deeper bass response to retain all the low end. It utilizes internal bipolar power, which gives you more dynamics and all the headroom you could ever desire. The end result is a three-dimensional tone with added clarity that really pushes a nice tube amp over the edge.