Products

You are the artist. Your sound is the paint, and this is your canvas. The Canvas stereo is a Direct Box/Line Isolator designed to remove any resistance between you and your audience by giving a pristine sonic foundation to build your masterpiece upon. From houses of worship to the dive bar downtown, Canvas Stereo is built to be the performance tool that goes wherever you are making your music.   Canvas Stereo is a Passive Line Isolator (LI) and Direct Injection (DI) device that converts your unbalanced signals into balanced signals for interfacing properly with your recording interface or mixer at front-of-house. If you’re using an amp-in-a-box (DSP Guitar Rig), like our ACS1, keyboards, or any other instrument utilizing both left and right outputs, then the Canvas Stereo is your new bridge to the front-of-house. The Canvas Series DIs pack everything you need from a DI/LI into a standard pedal-sized enclosure designed to look great right on top of your board. Needing a mono solution? Click here for the Canvas Mono. Canvas Stereo Features: Flat frequency response from 20Hz-20kHz Converts ¼” unbalanced input to XLR balanced output. Transformer isolated output. Sum switch  When disengaged (out), the left input connects to the left thru. The right input connects to the right thru allowing the use of stereo amplifiers. When engaged (in), Sum connects the left and right thru jacks together to combine the signals for running into a single amplifier (use either thru jack). Pad: Enables a -15dB input pad (Only in D.I. mode) for reducing hot signals in order to minimize distortion. D.I./L.I.: Choose between Direct Injection or Line Isolator modes (Out for DI, In for LI) GND Lift: Isolates the GND pin on XLR to help reduce hum if present. Leave out for normal operation. Custom wound transformers for low THD (Total Harmonic Distortion) and full frequency response. Direct Injection:  Use DI mode when connecting an unbalanced, high impedance source  (Electric Guitar, Bass Guitar, etc). The signal will be reduced by -20dB (-35dB with pad engaged) and converted to a balanced signal via the transformer connected to the XLR output. Use the gain on your mixer or preamp to bring up to line level. Line Isolator:  Use the LI when needing to connect your unbalanced, low impedance source (Amp + Cab Sim like the ACS1, keys, etc.). The signals will remain full volume and be converted to balanced signals via the transformer connected to the XLR output. Less preamp gain will be required in LI mode.  DI or LI? When deciding between DI or LI, check with the manufacturer of your gear to find the output impedance of the device you are wanting to interface. For a general guide: High Impedance = anything above 1k = Use DILow Impedance = less than 1k = Use LI Troubleshooting: This is a passive device, so you will not damage anything if connected improperly, but it could affect the signal level and frequency response if not connected properly. This is an easy thing to test since the LI/DI switch is built into Canvas. If you lose high-frequency information when using LI mode, then you should probably be in DI mode.

Stay in tune like a pro, customize your pedal, and stun your bandmates with the Walrus Audio Canvas Tuner. Featuring a rich, full-color LCD, the Canvas Tuner keeps its accuracy up to ±0.1 cent, so you’re always on your game. Sweetwater guitarists are astounded at the customization level of the Canvas Tuner — users can choose between Needle and Strobe modes, rotate the display in several permutations, select a custom display color, and even upload photos as a standby screensaver! The Canvas Tuner offers four different bypass modes, including true bypass and buffered pass-through, for high signal integrity when needed. The Canvas Tuner also has a hidden feature up its sleeve, TuneAssist, allowing you to tune faster from one string to another. You can also take advantage of a power pass-through jack to power other effects. Lastly, the Canvas Tuner can be updated via USB-C.

This is our take on capturing what is arguably the first and last word in all tube amp distortion for bass. The debate always starts and ends with the Ampeg SVT™. The harder you dig the more it growls. The connection between your hands and that kind of natural tube distortion is primal, immediate, powerful, and musical.

Vexter Series pedals are lower priced, featuring silk-screened art. The parts inside Vexters are identical to the hand painted models.

This Vexter Series Fat Fuzz Factory features UV printed graphics to commemorate our 25th Anniversary. The parts inside Vexters are identical to the hand painted pedals.

This Vexter Series Fat Fuzz Factory features UV printed graphics to commemorate our 25th Anniversary. The parts inside Vexters are identical to the hand painted pedals.

A 20-second analog phrase-sampling looper with very low fidelity, frequency response that cuts off at 2.6 kHz, brick-wall compression, hiss, distortion, and a warped-record vibrato feature that makes your guitar sound like an ancient radio transmission, but your direct guitar sounds especially sparkly.

A sub-heavy silicon fuzz with some new twists: An input impedance control (push/relax) that adjusts from passive pickupsto line level. It works very well for re-amping bass tracks that needto be fuzzed up after tracking and keyboards. There’s also a three-position sub control switch, a treble tone control, adjustable pulse width, and a wide fuzz depth control. More flexible than any silicon fuzz to date. Pedal Dimensions (LxWxH):  4.70" x 2.38" x 1.82"

Vexter Series pedals are lower priced, featuring silk-screened art. The parts inside Vexters are identical to the hand painted models.