Pedals

Ledges is a compact, three-mode reverb with the ability to save and recall six presets and user-assignable expression control with loads of customizable options. If you’re craving that warm, lush reverb tone from the players and songs you love, then this is your pedal. If you want to push the limits and take it further to sonic reaches that only you can uncover, then this is also your pedal. It’s everything you’ve ever wanted and needed out of a reverb. We created Ledges for no-nonsense musicians who need access to a wide variety of fantastic sounds and don’t want to mess with menu diving, extra footswitches, or midi controllers. Ledges offers three distinct, rich reverbs that cover all your bases - Room, Hall and the almost infinitely regenerating Plate - with user assignable expression control and six presets to easily switch between settings. Presets can even save expression pedal assignments, making it easier than ever to save and switch between the 6 best reverb sounds that are yours and yours alone.

  Caroline Guitar's "ARIGATO" neither seeks to recapture the sounds of the past, nor to be state of the art. It is a snapshot of a future we were promised as children. While capable of the airy psychedelia of classic units, this one is meant to rumble, wobble, shake, rattle, and roar. It is also capable of going fully wet for interesting vibrato sounds, max out feedback for auto wah style filter sweeps, and a wide range of responsive shades throughout each control as they interact with the others. We’re pretty excited about this release; the first pedal Philippe ever owned was a phaser, and getting to make this feels like a homecoming. Your pedal was dreamed, designed and created at our small batch distortery™ in Columbia, S.C. Thank you for supporting our work, and putting it to good use for yours.Designer’s notes: if you and your customers have enjoyed our SOMERSAULT™ lo-fi modulator, then I think you’ll really enjoy ARIGATO. It’s built on a similar framework: an analog LFO that can do some wild stuff and push things beyond their boundaries, a mix control that can go 100% wet, and a havoc control that is all gas, no brakes. It’s an OTA based analog phaser but with a couple twists – the mode switch changes the capacitors and filter notches to more closely resemble a classic vibe pedal, giving the sweep a bit of an off-balance feel. The bypass on ARIGATO can also be a momentary bypass for instant phasing “hits” and releases. And the square wave, like the Somersault’s, can push the phasing into audible pumps and overload things. We could have tamed it for noise purposes, but we didn’t want to lose the fun. With this pedal we recommend starting with everything at 12:00 – “true north” as we’re fond of calling it – and then adjusting from there to discover how each control interacts with the others.

Roaring like a British Lion from Wembley to the Sunset Strip, the Jubilee is ready to melt faces.  Sure, it can do subtle but that's no fun.  Crank it up and rock out.   Controls: Loudness:  Controls the output level of the pedal. Drive:  Adjusts the gain and distortion of the pedal. Treble / Middle / Bass:  Passive three-band tone stack, voiced like a British amplifier.    Power Supply: The Jubilee requires a DC power supply with a 2.1mm pin, center negative.  The Jubilee will operate on power supply voltages up to 18V and does not use a battery.  The Jubilee should work fine on a multi-pedal "daisy chain" connector, but if you encounter excessive noise or hum try a separate power supply.

Forget-Me-Not is a lot of things. It can be an echo, or a reverb unit. It can sound gorgeous, or incredibly broken. It can make you remember, or cause you to forget everything .Forget-Me-Not is a digital echo unit based on a fairly rare piece of rack gear. The original was designed as a reverberation unit but the implementation was a bit idiosyncratic, so the result ended up somewhere between reverb and delay. We’ve leaned into the differences between this unique approach and a modern delay / reverb unit to create something that has one foot in each world. From the designer: Forget-Me-Not is a bit of a departure for us. No menus, no display, just lots of knobs and switches. This allows you to get your hands on everything in the pedal and focus on creating. Don’t worry, we still have MIDI, presets, expression pedal support, and all of the other modern conveniences! But we wanted to give you something that makes you feel inspired. We hope this pedal makes you as happy to play as it was for us to build.— Matthew Farrow Buffered bypass with fading or forever trails Feedback Swell by holding the Tap footswitch No menus or secondary controls - everything is accessible from the face of the pedal Mono or stereo input via TRS, supports input summing MultiJack allows expression pedal, tap tempo, or MIDI input via TRS Full MIDI support - every control is accessible via MIDI over TRS or USB Digital Multi-Head Delay Line Up to 900ms of delay time Four delay taps with individual output level controls Adjustable modulation engine with sine, square, random waveforms Tap tempo with quarter, dotted 8th, 8th divisions Four instant presets, WYSIWYG / live mode, and 32 total presets via MIDi Mono or stereo input (TRS) Mono or stereo output (use either TRS or dual TS) Input Impedance: 1M ohms Output Impedance: 560 ohms DC 9V only, 250mA or greater Requires isolated DC power supply 5.72” x 4.7” x 1.6” H x W x D not including knobs(145 x 120 x 42mm)  

Reverb + Reverb, Delay + Delay, or Delay + Reverb, in any order Solis Ventus is a dual‐engine Delay and Reverb pedal, able to run two algorithms at once, with arbitrary pairings, ordering, and routings.   A special 'Stompbox Mode' dedicates one footswitch to control the on/off state of each engine, effectively turning the Solis Ventus into a quick and dirty two-stompbox setup.   And as always, external control devices may be used to open up even more interactive possibilities  15 Delays, 9 Reverbs, 96 Presets In addition to several new exciting algorithms, the entire algorithms library from the Specular Tempus have been brought back, improved and expanded, for the Solis Ventus. Flexible Routings Stack your delay and reverb, combine them in parallel, or run them independently in dual mono channels, and then swap them around on the fly, Solis Ventus has all your wild ideas covered.   Routing, ordering, and on/off state information are clearly displayed at all times so you will never get lost. Stereo Looper A 40 second stereo looper is available that works independently from the Delay and Reverb engines, either before (Pre) or after (Post). A perfect tool for creating a sound-on-sound style loops. The layering of sounds didn't stop there: the playback effects cover standard and experimental application, from speed manipulation, sound reversal, to an ever increasing pitch transposition. Expansive External Control Expression - 2 expression pedal inputs (with CV compatibility).   Aux Switches - accepts up to 3 external switches for additional control (bank up/down, tap tempo, etc).   MIDI In / MIDI Thru/Clock - nearly all features and functionalities of the pedal are opened to MIDI access. Dynamics Engine Independent dynamics processing engines, placed post DSP X and DSP Y, enable dynamic effects (ducking or gating) to be applied to any delay or any reverb algorithms in the Solis Ventus.   Both DSP X and and DSP Y have their own dynamics engine, bringing an unprecedented flexibility and precision in sculpting your dynamic delay and reverb soundscape. Crossover Engine A switchable crossover filter allows you to split the input signals into two frequency bands, one frequency band is routed to DSP X and the other band is routed to DSP Y.   This band splitting allows the X and Y engines to run the algorithms on different frequency bands, a wonderfully effective tool for creating unique moods and textures. You can even modulate the cutoff frequency via MIDI for an otherwordly effects! Complete Parameter Control All parameters are fully accessible directly through the pedal. The SV Studio for Windows and macOS offers an easier way to manage presets, assign expression parameters, and adjust every minute detail of the Solis Ventus' settings.

The Delta II is a powerful optical harmonic tremolo with extensive tone shaping and rhythmic capabilities. The novel LFO enables its pilot to craft harmonic, and traditional tremolo sounds that stagger, hop, buzz, ripple, and swirl with unparalleled variety using a brilliantly simple interface. Soar through the sonic scenery as evolving rhythms throb and pulse through your consciousness like stars flickering across the cosmos. INTRODUCING THE DELTA II The Delta II is a small form factor harmonic tremolo, with smooth organic tone. Harmonic tremolo is achieved by splitting the input signal into high and low frequency bands, and amplitude modulating them in opposite directions. As the low frequencies pass, the highs are cut, and as the highs fade back into the mix, the lows sink below the horizon. Since one of the frequency bands is always passing, it's less choppy than typical for trem. Morph between harmonic and traditional tremolo with the innovative LAG control, which introduces a variable offset between the LFO’s dual outputs. Combined with the Delta II’s unique voices, this makes for great swirling, phasey tones with endless rhythmic possibilities. YOUR HARMONIC HEARTBEAT The Delta II features a high headroom all analog signal path with expanded tone shaping abilities. The signal is buffered, and subsequently runs into a 2-pole state-variable filter to perform the frequency range split. The high-pass, and low-pass filter outputs, along with the dry signal are routed into the tremolo portion of the circuit. The optical elements in the Delta II make for a smooth rise and decay, with a clean fluid response. Additionally, the VOICE toggle offers three signal path modulation options. High & Dry - highlights top-end shimmer, and emphasises clarity and bite. High & Low - provides a more liquid tonality especially useful for swirling phasey sounds. Low & Dry - excels at dark throbbing low-end presence. Exploration of the DEPTH, FREQ, and RES controls will unearth filtery stabs, slithering vibrato, or robotic rhythms. Volume is set from our shop to unity gain when the effect is engaged, but may be fine tuned via the internal trimpot. Each portion of the Delta II is carefully thought out, and painstakingly executed to be beautifully colored and alive with rhythmic intensity, and effortless shimmer. FALL BEHIND IN PERFECT TIME The LFO of the Delta II is deceptively simple, yet surprisingly versatile. The dual output triangle wave oscillator has a unique ability - Lag. This allows the outputs of the LFO to smoothly lag from 0-180 degrees out of phase while still being in time. What this means is that with LAG control at minimum the two LFO outputs are identical, and at maximum LAG, they alternate in opposing fashion. For traditional tremolo sounds, keep the LAG at minimum, then as you introduce LAG, the LFO outputs diverge, creating infinite shades of harmonic tremolo up to maximum. The middle ranges of this control can thump, pulse, beat, bunnyhop, stagger, and dance in any given instance. For even more temporal animation, LFO RATE or DEPTH may be modulated via expression or CV. Delta II Features Smooth and lush all analog signal path, with 3 distinct voices Harmonic or traditional tremolo with a twist of the LAG control Wide-range LFO capable of slow pulsation to audio-rate madness Flexible filtering for deep and expressive tones 18V capable for high headroom use cases Selectable Expression / CV control of DEPTH or RATE Internal VOLUME trimpot for precise level matching Fixed Filter for tone shaping with DEPTH at minimum TRULY HAND CRAFTED Hand-wired and built in Portland, Oregon, the Delta II features true-bypass relay switching with soft-touch footswitch. On top of the cast-aluminum enclosure sits a durable, engraved vinyl faceplate and jewel indicator light. This pedal is built to last a lifetime, both on Earth or in the vacuum of space.

There's something in the water at California's Rancho De La Luna, something that sounds like the EarthQuaker Devices Dirt Transmitter Rancho De La Luna Fuzz. This limited release from Akron's favorite effect wizards is a fuzzy oasis in a desert of tone, so come to the water and take a swig. In 2023, EQD founder Jamie Stillman visited Rancho De La Luna, the famed recording studio of guitarist and producer Dave Catching. An alumnus of Eagles of Death Metal and Queens of the Stone Age, Catching operates Rancho De La Luna in Joshua Tree, California. Stillman jumped at the chance to go and ended up using one of EQD's oldest effects, the Dirt Transmitter. The Transmitter originally shipped in 2008 with three controls for harnessing its Fuzz Face-style tone. Today's Dirt Transmitter features a new, fourth control, Bias, that starves the circuit for a chokey, sputtering sonic profile. One thing that elevates this Dirt Transmitter is its use of EQD's rare silicon transistors that behave similarly to germanium. Running the gamut between Velcro-ripping wildness and subdued overdrives, the Dirt Transmitter is a knockout fuzz effect that can achieve so many different highs. The Dirt Transmitter, a standby in EarthQuaker's catalog until 2017, is back in full Rancho De La Luna fashion for the players of today for a limited time. As a classic for EQD fans revived for today, the Dirt Transmitter Rancho De La Luna is a wonderfully versatile and expressive fuzz circuit in iconic EarthQuaker fashion.

The city remained, its familiar corners etched in shadow, its streets whispering with memories no living souls carried. Our laughter had vanished into cracks in the pavement, leaving only silence where voices once lingered. Moving through the empty avenues, belonging nowhere. Now we are ghosts The device is a small metal box, humming faintly, remembering songs it can't quite play. when activated, it releases long uneven tones that pass between distortion and clarity. Its voice floats on air, hollow and fragile. Exhaling into the void, its heartbeat replaced by an echo.

A buffer is an important tool to combat tone loss with long cable runs or in signal chains running lots of true bypass pedals. With its high 1 Mohm input impedance and low 100 ohm output impedance, the EarthQuaker Devices® Buffer/Preamp will restore your tonal integrity and give you back the clear and dynamic signal you deserve and your amp craves. Want more? Not only will it restore high end loss, this device has a little trick up its sleeve that will also give your low end a subtle, yet powerful, little kick for some added dimension.

The Fuzz Master General is our take on the vintage Ace Tone Fuzz Master FM-2 Professional fuzz machine, an octave fuzz that was very similar to the wildly popular Super Fuzz. We have taken the basic circuit and re-imagineered it to be more useful for the modern player. The Fuzz Master General features a more accurate Fuzz control that delivers a much broader spectrum of dirt tones ranging from nearly clean through full buzz saw assault. We added a Voice toggle to further enhance your dirt desires and wrangle a more variable tone out of the classic circuit. This toggle selects between germanium, silicon and no diode clipping. This has a huge impact on the characteristics of fuzz tone, upper octave clarity and output level. Germanium diodes offer more output and an open, looser fuzz tone while the silicon diodes compress the signal and yield a tighter fuzz tone. When the voice is set to no diode clipping (center position) you can attain a nearly clean upper octave that borders on ring modulation! While the original Fuzz Master had a foot switch to select between two different tone settings, the Fuzz Master General has a variable Tone control that allows you to dial in everything in between a wide-open treble assault and a super-scooped, bass-heavy vintage unit. With all these added features, the Fuzz Master General delivers a more versatile version of the original while still retaining the same swelling octave grind we all know and love.

The Hummingbird is a choppy, sawtooth tremolo modeled on the vintage “repeat percussion” unit and similar to those found in old Valco and Vox amplifiers. It is capable of producing everything from classic “50’s style” shimmering tremolo to a synthy, delay-like chop that turns your signal into a burst of short pings and on through to near ring modulation speeds. Simply choosing between modes 1 (slow), 2 (mid-tempo) or 3 (fast) and adjusting the rate and depth controls will unlock a whole new world of amplitude modulation at your feet. The Rate is also expression pedal accessible to allow instant changes on the fly. Using an expression pedal opens up the possibility of true random amplitude modulation! In addition to the modulation, the Hummingbird has plenty of clean gain on-tap allowing you to either boost or cut the signal using the level control. If the Depth is turned to zero, the Hummingbird will become a JFET clean boost!