Pedals

A 20-second analog phrase-sampling looper with very low fidelity, frequency response that cuts off at 2.6 kHz, brick-wall compression, hiss, distortion, and a warped-record vibrato feature that makes your guitar sound like an ancient radio transmission, but your direct guitar sounds especially sparkly.

flanging is a really unique type of modulation effect. A good flanger can cover all kinds of territory, from metallic resonance to jet-place whoosh, and anywhere in between. We think the Dynaflanger 213 is a great flanger, and we equipped it with ten unique and useful flanger modes to allow you to express yourself. The Leap Series improves upon our popular Neo Series platform in lots of ways, including: Stereo audio input and output with phase correction Low-noise direct-coupled audio path Improved audio headroom and frequency response FXCore DSP with more than 8 times the processing power than our previous Neo Series pedals 32 onboard presets (4 banks of 8 presets each,) all accessible on the pedal without the need for external controls.

It’s time to rediscover your affinity for trippy reverse reflections, washed-out reverberations and crystal-clear repeats. The Alexander Pedals Rewind is a reimagining of our flagship delay platform. Ten rejuvenated delay types, all the under-the-hood functionality you require, and an OLED display for instant recall of every parameter. Record, Repeat — Rewind.

The Alexander Syntax Error 2 is our newest noisemaker, designed to help you create your very own arcade soundtrack using guitar, bass, keys, or whatever. Featuring the powerful new FXCore DSP, Syntax Error 2 packs more power, punch, and possibilities than any other Alexander pedal thus far.

NECTAR TONE SWEETENER   The Nectar "Tone Sweetener" strikes a perfect balance between versatility and simplicity. It offers a wide range of tones, spanning from a vintage tweed-style crunch to a full-bodied overdrive, and even a modern high-gain fuzz that pairs wonderfully with any guitar, pedal or amp. Use the mode toggle to switch between the DRIVE and FUZZZ modes, while the LEDS indicate the selected mode, even when the effect is bypassed. Fine-tune your sound with the TASTE control to set the perfect eq for each guitar or amp. The Nectar's responsiveness is truly unparalleled, like a delicate bee collecting pollen. Every nuance of your playing is enhanced and sweetened in the best way possible, with plenty of headroom. JUST AS NATURE’S NECTAR ENERGIZES WORKER BEES, THIS PEDAL SERVES AS THE FOUNDATION FOR YOUR TONE.Hand made in California by a swarm of bees.  BEE YOURSELF

Introducing the Octahive v2, one of our legendary bees that has been buzzing since day one! This pedal draws inspiration from the iconic '70s octave pedals, blending vintagetones with modern enhancements. In BUZZZ mode, prepare to unleash a ferocious high-gain fuzz that's perfect for lowriffage and powerful chords. Enter the mystical OCTAVE mode and watch as you'retransported to a mind-bending psychedelic wonderland. And here's a tip fit for a Queen Bee: Roll down the PRE control, switch to your neck pickup, and watch those beeautiful octave harmonics take center stage. But that's not all! We've matched vintage tone with cutting-edge features to enhance your playing experience. Hold the footswitch to instantly switch from BUZZZ to OCTAVE, giving you complete control over your sonic destiny. And with a quick double tap, seamlessly shift between modes, keeping your creative flow buzzing. With three footswitch profiles, you can customize the speed of your momentaryswitching. It's all about tailoring the pedal to perfectly suit your unique vibe!The Octahive v2 is here to deliver the sweetest high octave buzz and allow yourcreativity to soar. Embrace the hive magic and let your sound bee heard like never before!. 

FLWR is an overdrive, distortion and sometimes fuzz! It starts very clean and gets up into Fuzz territory at max settings. It's designed to help you find your own breakup point, so your playing can stay dynamic and full range and still breakup nicely when pushed. The SHAPE controls manage the first gain stage, you can check the quickstart guide and example settings for more info. GAIN controls the second gain stage, and the control is non-linear. As you add gain the response gets a little warmer, helping tame highs at higher gain without losing clarity at lower gain. The clipping diode array is modular, pop off the back cover and you can swap out for a different array. PCBs are available to make your own module - if you happen to believe that some diodes are magical you are free to go on a side quest and track them down! FLWR ships with one module containing two array options. Select 1 or 2 on the CLIP control to engage them. The stock diode arrays are designed to be very subtle, but more extreme arrays are possible. FLWR uses the same WHATEVER power supply featured on EUNA and OAMP - the pedal will accept 7.5 to 35 volts of AC or DC in either polarity with absolutely no change in tone or power to the circuit. Overall size - Imperial is length (depth) 3 5/8", width 3 3/8", height 2 1/8" maxMetric is length (depth) 90mm, width 85mm, height 52mm max Same depth and height as EUNA and OAMP

What can be said about the humble boost pedal? It's an AC wave riding on a DC voltage and I did my very best to elevate it. JFET is rooted in my deep love of FET transistors, and their corresponding place in the hearts of many pieces of gear. FETs are very early solid-state devices that were designed to emulate vacuum tubes as closely as possible, and they have found their way into a sizeable number of classic pieces of gear. As usual for 29 we don't copy or emulate any of those, but start from a ground-up design. The JFET stage is neatly biased for a specific THD ratio, just enough hair to be tube-y but still very clean by most standards. A dual-stage IC output driver shapes the tone and ensures the output impedance stays constant as you turn the level fader. The three modes tailor the low end in a gentle way for fine-tuning of the boost sound with your guitar. Sounds great after EUNA, or as an alternate front-end to your board, makes about 18dB of gain and LOVES to be stacked with FLWR and other drives! Will happily drive cables and draws about 150mA. Still features our WHATEVER internal power supply and the build quality you've come to expect from BELIEVABLE AUDIO. Imperial is length (depth) 3 5/8", width 3 3/8", height 2 1/8" maxMetric is length (depth) 90mm, width 85mm, height 52mm max Same depth and height as EUNA and OAMP

OAMP is the Output AMPlifier from 29 Pedals.An output driver that replaces conventional buffers, line drivers and preamps, OAMP makes up to 29dB of gain, provides final signal conditioning and sweetening, and will drive lots of cable or capacitive loads. OAMP will drive down to 600 ohms! The alt path is similar to EUNA, it's active when the pedal is OFF. This will allow you to swap to a different output driver and create a sort of local channel-switching on your pedalboard. Also features the 29 Pedals WHATEVER power supply, which accepts 7.5 to 35 volts of AC or DC in either polarity with no change in tone. OAMP is made by 29 Pedals in California.OAMP has strong enough drive to drive several loads, passive splitters are no problem. You can manage the 29dB of gain using the two toggle switches, each stage has low and hi gain settings as well as a fixed tone filter. The Level control sits between the two gain stages and doesn't affect the overall input and output impedances. The Presence control dials in some classic amp-style mid-scoop to tailor the midrange drive, or simulate an amp when going direct.Check the quick-start guide and videos in the media section!

Are your cyborg bodies ready? You’ve asked us for this for a while – so we’re giving you what you want! MEGABYTE™ builds on our acclaimed KILOBYTE™ legacy with two old school lo-fi digital chips for more delay time, tap tempo, trails or true bypass, and nastier, dirtier runaway havoc. All with a straightforward (at least for us) and intuitive, immediately rewarding control setup. Less time menu scrolling, more time rock and rolling. We’ve added the most requested features from our customers’ wish lists while making sure we kept the qualities that they loved. This includes a fun and functional tap-tempo with three subdivisions, double the delay time (up to 1200ms) for better noise handling and range, easily switchable trails or true bypass options, and a nastier *Havoc™ paired to the tap switch to go with the +21db drive preamp and modulation for the delay side. On the inside of the pedal are controls for a 100% dry-kill for production work and a maximum headroom option on the havoc/oscillation side.

This Vexter Series Fat Fuzz Factory features UV printed graphics to commemorate our 25th Anniversary. The parts inside Vexters are identical to the hand painted pedals.

This Vexter Series Fat Fuzz Factory features UV printed graphics to commemorate our 25th Anniversary. The parts inside Vexters are identical to the hand painted pedals.

The Avalanche Run is a dreamy stereosonic exploratory multi-tool that includes up to 2 seconds of delay time, reverse delay, tap tempo with subdivision control, switchable true bypass or buffered bypass with 5 different tail lengths (including a sound-on-sound style lo-fi looping mode) and an assignable expression control that maps the expression jack to a control of your choice, including the toggle! The delay section allows tweaking from tape emulation to bucket brigade styles with a twist of the wide-range Tone control. The cavernous, plate-style reverb has just a touch of modulation similar to the one found in our precious Dispatch Master only more lush with an adjustable Decay. Otherworldly reverse delay and dynamic swelling reverb settings are accessible through a 3-way toggle switch. And that’s just the beginning...

Blumes™ is an all-analog tri-mode soft clipping bass overdrive that carries the torch of the classic screamer circuit but has a voice all its own. While embodying most of the characteristics and features of our beloved Plumes® Small Signal Shredder, this modified circuit has double the gain and a deeper bass response to retain all the low end. It utilizes internal bipolar power, which gives you more dynamics and all the headroom you could ever desire. The end result is a three-dimensional tone with added clarity that really pushes a nice tube amp over the edge.

 Aqueduct® is a vintage-inspired pitch vibrato with eight modulation modes delivering synth-like sonar pulses, touch-sensitive frequency modulation, gentle rolling pitch-wobbles, steady kosmische pulsations, rapid trills, slimy sonic squiggles, whammy bar wiggles, pitch bends, pseudo-flange, and anything else your pitch-warped brain can picture in your murky mind’s eye.