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The Amp is now available in a 12" combo with many of the same features as the pedal: universal power input between 100-240V, a balanced line level output with analog cabinet simulation, splashy reverb, rich VCA tremolo, and portability. The 12" combo brings The Amp into a new dimension as a full featured grab and go amplifier. The Amp is housed in a lightweight and resonant Pine cabinet with a 12" Celestion Creamback Neo speaker with a total weight of only 22 pounds! For silent stages, The Amp can be run in "Mute" mode which disables the speaker output while sending signal to the direct output. The overall tone is identical to The Amp, and like the pedal all of the outputs are live all of the time which makes signal routing a breeze. Effects can be individually bypassed with the included 2 button foot switch. The Amp 12" Combo adds an external speaker output so you can power a second 8ohm speaker and create even more of a presence on stage. With a second speaker attached, The Amp puts out 100W (into 4ohms) which is plenty of power for large venues.      WATTAGE 50W with internal 8ohm speaker 100W with both internal speaker and 8ohm extension attached EFFECTS Reverb and Tremolo DIMENSIONS & WEIGHT 19-7/8" W x 16" H x 9" D 22lbs

After a few years, designing and building amplifiers for some of the world's most toneful players around  We have finally landed on what we consider the perfect combination of elements to achieve a modern, lightweight package of pure unfiltered tonal perfection.No frills, nothing to hide behind. The Clarence 25 is a true working player's dream. Powered by a matching pair of 6V6 power tubes, solid state rectifier and a pair of 12ax7 preamp tubes finished with cathode biasing which allow for a direct swap of power tubes to 6L6 for additional wattage, more headroom, and large amp overtone bliss. The speaker cabinet is wired at 8 ohm our custom spec output transformers can handle 100% mismatched loads so, running an extension cab is never an issue.Either way, the feel is tight, punchy and dynamic with the advantage of bulletproof craftsmanship.Large and full note definition at all volume settings with preamp breakup beginning at 9 o'clock and beyond that starting at 12 o'clock a natural, creamy and focused overdrive tones arise especially when cranked!!   MODEL: Clarence 25  CHANNELS: One, with Hi/Lo inputs CONTROLS: Volume, tone TUBES: Two Tung-Sol 12AX7s, two JJ 6V6s in cathode bias POWER: 25 Watts EXTRAS: Main and extension-speaker outs SPEAKER: One 8Ω WGS 12" custom-spec “Pulsonic” 2x10 option also available ET10 65W $150 EPG Alnico 75W $275 WEIGHT: 39 lbs. BUILT: USA

A return to the fundamental elements of recording great guitar tones in the studio. Ribbon mic's love these low watt tone machines as proven by the tone's we love from the 50's, 60's and 70's. Often you just need a simple vehicle to get from A to B in a session - something that is part of the desk, something that inspires both creative freedom as needed or just plowing through recording tasks...Bullet proof and subtle in every way you need. Type: Tube  Number of Channels: 1  Total Power: 5w Speaker Size: 1 x 8"  Speaker: Jensen C8R Preamp Tubes: 1 x 12AX7, Tung-Sol Power Tubes: 1 x 6V6GT, JJ Rectifier Tube: 1 x 5AR4, JJ  Tremolo: No EQ: Passive tone control  Inputs: 2 x 1/4" (High/Low Treble) Outputs: 1 x 1/4” speaker out, 1 x 1/4” extension out, 1 x 1/4" line out Material: Sweet pine, walnut, maple Power Source: Fixed AC cable  Height: 10.75" Width: 17" Depth: 8.5" Weight: 11 lbs. 

The Whocta Hell is a low octave fuzz, with fully independent controls for the fuzz and the octave. It’s a overdrive/fuzz summed up with a gnarly squared wave low octave, resembling an 8-bit bass synthesizer. Its octave has a range of one or two low octaves, selectable by a toggle switch, and also has its own separate bypass switch. The od/fuzz and octave work fully independently and can be used separately. The magic really happens when you start blending them together and finding your sweet spots. You can create a large range of tones, that can be used on many different ways. It’s up to you to choose between an indie rock lead, a bass synth or super mario bro sounding theme! No matter what you are into, the Whocta Hell will inspire you to create new music. Just do not forget, it is a beeast!  

OVERHIVE The Overhive is an extremely versatile medium gain overdrive. It’s round and warm tone respects your amp, enhancing it’s best qualities while dynamically reacting to your playing. This pedal achieves the elusive mid-gain overdrive without making you feel a disconnect between you and your amp. Your sound remains punchy and direct with a warm musical break up and singing sustain. The controls give you nearly infinite possibilities. While the "Body" switch it's great for when you are switching guitars on a set or just feel like adding a low-end boost, the "Hive" switch can make you sound bigger and fatter, or tighter and thinner. The "Honey" control just adds sugar. Roll it down for a nice and smooth crunch, or roll it up for a smooth and dynamic drive, where your hands dictate the breakup. You also got tone control and master volume. With so many possibilities, it's hard to not find a place for it on your board. It's truly a hive of sweet tones.

The OctaHive is a super high gain fuzz with a well pronounced high pitch octave. The octave can be turned off by the toggle switch, turning it into a warmer and thicker fuzz pedal. The best way to achieve a well pronounced octave sound is by rolling off on the PRE gain and tone control on your instrument. The balance between  PRE and Honey is the key to achieve a variety of sounds. On the octave mode, things can get really nasty, splashy, and gated. It's great for high gain leads, especially when played above the 12th fret. With a little less HONEY you can get that "purple haze" tone. At low gain settings, it can produce "ring modulator" overtones, great for textures. With the octave off, it's a whole different pedal, producing a warmer and thicker fuzz tone, making it more versatile and "chord friendly". The OctaHive was based on the 1970's Tycobrahe Octavia and it can produce classic and modern sounds. A great addition to every pedalboard.

SPECIFICATIONS BODY: Old stock Mahogany w/AAAAA koa top NECK: Old stock figured Koa full tenon - medium slim D profile - old stock cocobolo with dot inlay markers/Jescar medium jumbo frets PICKGUARD: Hand-cut/polished tortoise nitrate PICKUPS: Echopark 57  ELECTRONICS: 3-way Switchcraft selector, independent volume/tone controls, CTS pots HARDWARE: Tuners - Grover pre-war                       Bridge/Tailpiece - ABR1-N true historic/Bigsby B-12 FINISH: Caramel burst nitro ADDITIONAL: Hard case in trout telex

SPECIFICATIONS BODY: Mahogany NECK: Rock maple neck - 58C profile .88 - .92 taper - maple fretboard with black dot inlay markers/Jescar 8550 frets PICKUPS: Echopark by Arcane Inc/56 gray bobbin ELECTRONICS: 3-way Switchcraft selector, independent volume/tone controls, CTS 550k pots HARDWARE: Tuners - Gotoh vintage style w/iveroid buttons                       Bridge - Echopark Custom Spec FINISH: Aged Nitro in red  ADDITIONAL: TKL gig bag

The Warhorn is a mid-range, transparent overdrive pedal that’s capable of punchy rhythm, to searing Texas Blues leads. For added versatility, the pedal features a toggle switch that provides two flavors of clipping. The up position is a more compressed, symmetrically clipped tone, and the down position is an asymmetric, more open and organic sound. It includes Level, Drive, Bass and Treble controls providing a  large range of tweaking and shaping options for your original tone. The Warhorn comes in “prismatic gold” enclosure with white, cream and black ink. Artwork features a warrior at the front lines brandishing an intricate battle horn leading his army in a victorious battle.

The Phoenix Clean Power Supply is a 15-output isolated power supply, utilizing two internal custom  wound toroidal transformers to provide the highest noise filtering and cleanest power, giving artists the purest sound in their signal chain possible. The Phoenix fits under most pedal boards including Pedaltrain (PT JR and up), Pedal Pad, Blackbird Boards, Creation Music Company, and Holeyboards. We recommend high profile dual lock for mounting the Phoenix under your board. The Phoenix comes in a durable frosted charcoal texture enclosure and can more than hold up to the demands of touring.

Tastefully updated in all the right places, the Luminary V2 expands its watchful eye for versatility in many genres and musical tastes. • Refined octave volume knobs • Lengthened attack time • Revised envelope low-pass filter • Tremolo effect on flutter knob • Added Smart Momentary Bypassing The Luminary is a powerful polyphonic quad octave generator with features for creating inspiring symphonic gusts of sound. Operating on the Analog Devices Sharc platform, the Luminary gives you the ability to dial in any combination of four separate octaves including -2, -1, +1, and +2, the user can craft many different complex sounds and textures with crystal clear and immediate octave tracking. The Luminary has three onboard presets available for saving your go-to sounds, as a well as live mode. This means the user can have up to four custom sounds available at any moment. Get epic steel sounds with the modulation control unengaged. You’ll find more experimental options with the filter control or a tremolo effect with the flutter control. Couple the Luminary with an expression pedal to expand its creativity even more. Extended Info Four octave options available -2, -1, +1, +2 – The four knobs across the top of the pedal control the level of each octave. With the Dry/Wet control, the user can explore the ground between minimum and 12 o’clock to keep the octave signal lower than your dry signal for subtleness. The territory between 12 o’clock and maximum keeps the user’s dry signal lower than unity for a boastful octave sound.The Attack control dictates how fast the octaves bloom after the initial attack. Allow the octaves to swell in gradually at a higher attack setting. Hear immediate octave response with the attack control low or off. The Filter knob controls the cutoff of a low-pass filter on the octave signals and also increases an envelope type effect at higher settings. The Flutter knob enables a tremolo effect that can be applied to the octaves. At zero, the tremolo effect is off. Increasing this knob engages the tremolo modulation and controls the rate of the effect. The expression control allows the manipulation of any combination of these options to allow the user to customize the effectiveness of the Luminary: -1 and +1 octave volume, +1 octave volume, Attack, Flutter, and Dry/Wet.

The Jupiter V2 has some new updates making it an even more essential fuzz to any player's signal chain. • Increase of gain on tap. • Adjusted volume control making it easier to dial in unity gain. • Altered tone control for improved high frequency response. • Added gate control via internal trim pot to tame noise, or to achieve the spatty "dying battery" tones. • Killer new artwork and a new coal sparkle powder coat on the enclosure. • Brushed Aluminum knobs The Jupiter is a true bypass fuzz pedal inspired by the desire for gritty, thick and loud fuzz. Fuzz pedals tend to emphasize specific frequency ranges, which is both a positive and negative attribute. The Jupiter’s controls allow you the ability to dial in the right amount of fuzz with the right tonal quality to either stand out in the mix, or ride it out with the drums and rhythm. It includes a Mode switch that changes between three different clipping diode arrangements, providing more options and combinations of fuzz and tone and a Bass cut toggle switch for dialing in low end.

The Fathom is a feature-rich reverb with 4 different customized reverb algorithms to choose from. Easily go from tasteful, small room reverb to long, modulated trails dripping of ambient goodness. The toggle switch adds options for low, medium and high modulation. Use the dampen knob to fine tune the tone of the reverb's decay. The  Fathom features 4 different algorithms. Hall - Wide, open and vast with decay that ends with high-frequency rolloff. X knob adjusts pre-delay. Plate - Full Body reverb with a smooth decay. X knob adjusts pre-delay. Lo-fi - Filtered reverb with decay ranging from warm, to thin AM-sounding radio. X knob adjusts filter width. Sonar -  Reverb fed with both a high and low octave with the ability to blend the octaves with the X knob. Momentary Functions: When the pedal is in off position, press and hold the Bypass Switch to temporarily activate the effect to add a moment of reverb. Releasing the switch turns the effect off. Press and hold the Sustain Switch while the pedal is on, to sustain the reverb decay for a dreamy ambient decrescendo. Trails Mode: To turn trails mode on or off, unplug the pedal and press and hold down the Bypass Switch for two seconds while plugging the pedal back in.

[em-uh-ser-ee] Anatomy. Sending or coming out, as certain veins that pass through the skull and connect the venous sinuses inside with the veins outside. Built from the ground up, Walrus Audio has developed a new 2-in-1 boost to help make leads stand out, slides sing, finger picking come to life and to push tube amps into great natural breakup. Like the veins its named after, the Emissary Parallel Boost features two independent boost circuits running in parallel to work together to help give your tone a real “sinus clearing experience”. Use one or the other by itself, or mix any combination of both by turning up each knob to the desired level. The top knob controls the volume for the “bright” boost circuit. This is a clean, high headroom JFET boost, with a slight emphasis on higher frequencies to liven up your tone. The bottom knob controls the volume for the “mid” boost circuit. This circuit features a targeted boost at either 1kHz or 800Hz selected by the toggle switch. The bypass switch also features a momentary function. When the bypass switch is in off position, press and hold to temporarily activate the effect. Releasing the switch turns the effect off.

The  Descent was designed to create ambient textures of sound, from thick and endless hall reverbs to symphonic shimmers. The Descent is a three mode reverb system; hall, reverse, and shimmer. In each mode, the user has the ability to feed +1 and -1 octaves into the reverberated signal. The Hall mode will feature a classic reverb sound that can move your signal from a small-room-echo to a haunting long hall- echo. The Reverse mode smoothly flips your signal to playback unique responses and can be manipulated with pre-delay time controls. Shimmer mode highlights the octave features, dry signal, -1, and +1 to mix in your signal and creates a symphony of sound. The Descent offers you eight controls to precisely hone in your perfect reverb. In addition, the user can use an auxiliary momentary switch in the fav input to switch the pedal on/off and/or save presets. If you have an already crowded pedal board, you can set your Descent at the back of the board and run a small SPST switch to the front of the board so you don’t lose valuable real estate. The Fav input requires a TRS cable to be used. The expression pedal control works with most on-the-shelf expression pedals. This feature allows the user to set the high and low parameters of each control and then fade in and out the those controls by moving your foot up or down on the expression pedal.