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The Elliott Guitars Thumper Amplifier combines a dynamic tweed-voiced front end paired with a full and toneful output section.  Featuring a Single Channel with individual Volume and Tone Controls, the amp allows the true tonal character of your guitar to shine through.  At lower volumes the amp gives you a clean touch sensitive feel.  At higher volumes the amp delivers a harmonic rich breakup that still allows the low end to stay nice and tight.  Whether you are boosting the front end with your favorite pedals or just plugging straight in, this little amp really delivers.  The tone of the amp is nicely rounded out by a 12” Celestion Alnico Gold speaker in a compact all pine cabinet.  All Elliott Amplifiers are hand-wired and built in the USA using the best components available.   Single Chanel 1x12 14 Watt Celestion Alnico Gold 12” 2 12AX7 Pre-amp Tubes 2 Apex Matched 6V6 Power Tubes USA Built Power and Output Transformers ¾ inch Yellow Pine Construction 100% Hand-Wired and Built in the USA 18” x 9” x 18” 34 lbs.

Body: American Alder Neck: One Piece Hard Maple – Bolt On Scale: 25.5″/648mm Frets: 22 Medium Neck Inlays: Black Dot Tuners: Wilkinson® Deluxe WJ55S Bridge: Wilkinson® WTB Intonatable Pickups: 2 Wilkinson® Single Coils (N) WVTN  Alnico (B) WVTB Alnico Controls: 1 Volume/ 1 Tone/ 3-Way Lever

Body: American Alder Neck: Hard maple – Bolt-on Scale: 25.5″/648mm Frets: 22 Medium Neck Inlays: Pearloid Dot Nut: 42mm Wilkaloid Tuners: Wilkinson® Deluxe WJ55S Bridge: Wilkinson® WTB intonatable Pickups: Wilkinson® Single Coil x 2 (N) WVTN Alnico (B) WVOB Alnico Scratchplate: White Single Ply Controls: 1 Volume/ 1 Tone/ 3-Way Lever

I design amps based on my own experience and needs, and when it came time to design the Creamer, I wanted to find a balance between a perfectly voiced guitar tone with a fair amount of power and portability. Everyone loves low power vintage amplifiers, but sometimes I need a bit more power, reliability, and headroom on the gig. In studio, the Creamer is virtually silent when idle. Its the ultimate refinement and alternative to the vintage small format amplifier.  I wanted the Creamer to be very versatile so I included an adjustable cathode bias circuit so that the user can easily substitute 6L6 or 6V6 output tubes with no need to rebias the output tubes. I have added a rear mounted switch to maintain an 8ohm speaker output regardless of which tube type used. Inside of the chassis, you will find an internal bias adjustment in case you want to fine tune the cathode bias when substituting in vintage tubes which tend to draw more current.  With 6V6 the Creamer puts out about 20 watts into 8ohms and has sweet breakup. Put a pair of 6L6s in, flip the switch on the rear panel and you get a bit of more low end, subtler mids, and a touch more headroom.  The tremolo circuit in the Creamer is unique and sounds outstanding. It is harmonically rich, deep, and has a very useful range of speed.   Three speaker options help tailor the Creamer to your unique style: Jupiter Large Ceramic 12" is a transparent sounding speaker. Bright, Lively, and very efficient. Its got a great bottom end even at low volume. This speaker will not break up no matter how hard you push the amp.  Jupiter Alnico 12" has a classic American alnico magnet sound. A bit less transparent in the upper midrange, this speaker adds a "woody" tone to the Creamer. Its still lively on top, and a bit more focused in the bass response than its ceramic magnet brother. The speaker starts to break up and add alnico character as the amp is pushed.  Celestion Alnico Creamback 12" takes the Creamer into a totally new direction. This speaker is very mid forward with little midrange scoop. The top is smooth and bright, and the bass response is the tightest out of the three options. This speaker starts to break up when the amp is driven hard, adding a unique midrange boost as you push it.  Like all Milkman amplifiers, the Creamer is built using the finest possible components onto a turret board, and is hand wired with cloth covered wire. WATTAGE 18-22W Class AB  SPEAKER 12” Alnico Jupiter Speaker, 8 ohm EFFECTS Tube tremolo and spring reverbIncludes handwired original design detachable footswitch and 15' cable CUSTOM FINISH Black Tweed DIMENSIONS & WEIGHT 19-7/8" W x 16" H x 9-1/2" D 32lbs

The TV40 is the first in a new series of "Top Loading" Milkman amplifiers in TV Front cabinets Boasting 40 watts from a pair of 6L6 power tubes, the TV 40 has massive cleans and headroom. There is an internal 3 knob reverb system for dialing in a wide variety of reverb tones.  The TV40 is based on my popular 40W Pedal Steel Mini circuit, however it has been redesigned into a larger cabinet with an 8ohm output to increase the speaker and layout options. This amplifier can be ordered in all of the custom shop finishes (including solid woods) and also as a 1x15 or 2x10 combo.  The preamp has controls for volume, treble, midrange and bass as well as a bright switch for low volume fidelity. This is a single channel amplifier with inputs for two instruments. The TV40 has a 5AR4 rectifier tube and like all Milkman amplifiers is hand wired onto a turret board with Mercury Magnetics transformers and Jupiter Capacitors standard. It is built into a custom aluminum chassis and housed in a Pine cabinet.    WATTAGE 40W Class AB SPEAKER 12" Jupiter Alnico, 8ohm EFFECTS 3 knob reverb system CUSTOM FINISH Tuxedo DIMENSIONS & WEIGHT 22" W x 20" H x 10-1/2" D 38lbs

The Half Pint was designed to be the most versatile low power amplifier possible. Reverb and tremolo and Class A single ended breakup are just the start of what this little amp can do. With the onboard voltage controlled power scaling, you can turn this amp up to 10 and dial it back to just a fraction of a watt so that your fun zone is volume appropriate for just about anywhere.  This amp is comfortable on stage, in studio, and at home. Because of the variable power, you can set it how you like and adjust the power level for the room.  The power section of this amplifier consists of a single 6V6 power tube biased to class A. The front end is similar to the Creamer, with extended headroom reverb and tremolo. Four speaker options help tailor the Half Pint to your unique style: Celestion Greenback 12" is a transparent sounding speaker. Bright, Lively, and efficient. This speaker has a big bottom even at low volume. This speaker has very little breakup and does not color the amp when driven.  Jupiter Alnico 12" has a classic American alnico magnet sound. A bit less transparent in the upper midrange, this speaker adds a "woody" tone. Its lively on top, and a bit more focused in the bass response than the Greenback. The speaker starts to break up and add alnico character as the amp is pushed. Its the most efficient of the 3 speaker options.  VSOP Alnico 12" is warm, buttery smooth, and slightly less "loud" feeling than the other Alnico options. Its very good for getting the full tone from the amp without disruptive volume levels.  Celestion Alnico Blue 12" takes the Pint in a different direction. This speaker is very mid forward with little midrange scoop. The top is bright, and the bass response is the tightest out of the three options. This speaker starts to break up when the amp is driven hard. When the amp is overdriven, the Blue is extremely reactive shedding low end and pushing the midrange further into the fun zone.  The amplifier is hand wired onto a turret board with Mercury Magnetics and Jupiter capacitors are standard equipment. WATTAGE 5W Class A  SPEAKER 12" 15W Celestion Alnico Blue, 8ohm EFFECTS Tube tremolo and spring reverbIncludes handwired original design detachable footswitch and 15' cable CUSTOM FINISH Classic Black DIMENSIONS & WEIGHT 19-7/8" W x 16" H x 9-1/2" D 28lbs

After a few years, designing and building amplifiers for some of the world's most toneful players around  We have finally landed on what we consider the perfect combination of elements to achieve a modern, lightweight package of pure unfiltered tonal perfection.No frills, nothing to hide behind. The Clarence 25 is a true working player's dream. Powered by a matching pair of 6V6 power tubes, solid state rectifier and a pair of 12ax7 preamp tubes finished with cathode biasing which allow for a direct swap of power tubes to 6L6 for additional wattage, more headroom, and large amp overtone bliss. The speaker cabinet is wired at 8 ohm our custom spec output transformers can handle 100% mismatched loads so, running an extension cab is never an issue.Either way, the feel is tight, punchy and dynamic with the advantage of bulletproof craftsmanship.Large and full note definition at all volume settings with preamp breakup beginning at 9 o'clock and beyond that starting at 12 o'clock a natural, creamy and focused overdrive tones arise especially when cranked!!   MODEL: Clarence 25  CHANNELS: One, with Hi/Lo inputs CONTROLS: Volume, tone TUBES: Two Tung-Sol 12AX7s, two JJ 6V6s in cathode bias POWER: 25 Watts EXTRAS: Main and extension-speaker outs SPEAKER: One 8Ω WGS 12" custom-spec “Pulsonic” 2x10 option also available ET10 65W $150 EPG Alnico 75W $275 WEIGHT: 39 lbs. BUILT: USA

A return to the fundamental elements of recording great guitar tones in the studio. Ribbon mic's love these low watt tone machines as proven by the tone's we love from the 50's, 60's and 70's. Often you just need a simple vehicle to get from A to B in a session - something that is part of the desk, something that inspires both creative freedom as needed or just plowing through recording tasks...Bullet proof and subtle in every way you need. Type: Tube  Number of Channels: 1  Total Power: 5w Speaker Size: 1 x 8"  Speaker: Jensen C8R Preamp Tubes: 1 x 12AX7, Tung-Sol Power Tubes: 1 x 6V6GT, JJ Rectifier Tube: 1 x 5AR4, JJ  Tremolo: No EQ: Passive tone control  Inputs: 2 x 1/4" (High/Low Treble) Outputs: 1 x 1/4” speaker out, 1 x 1/4” extension out, 1 x 1/4" line out Material: Sweet pine, walnut, maple Power Source: Fixed AC cable  Height: 10.75" Width: 17" Depth: 8.5" Weight: 11 lbs. 

The Whocta Hell is a low octave fuzz, with fully independent controls for the fuzz and the octave. It’s a overdrive/fuzz summed up with a gnarly squared wave low octave, resembling an 8-bit bass synthesizer. Its octave has a range of one or two low octaves, selectable by a toggle switch, and also has its own separate bypass switch. The od/fuzz and octave work fully independently and can be used separately. The magic really happens when you start blending them together and finding your sweet spots. You can create a large range of tones, that can be used on many different ways. It’s up to you to choose between an indie rock lead, a bass synth or super mario bro sounding theme! No matter what you are into, the Whocta Hell will inspire you to create new music. Just do not forget, it is a beeast!  

OVERHIVE The Overhive is an extremely versatile medium gain overdrive. It’s round and warm tone respects your amp, enhancing it’s best qualities while dynamically reacting to your playing. This pedal achieves the elusive mid-gain overdrive without making you feel a disconnect between you and your amp. Your sound remains punchy and direct with a warm musical break up and singing sustain. The controls give you nearly infinite possibilities. While the "Body" switch it's great for when you are switching guitars on a set or just feel like adding a low-end boost, the "Hive" switch can make you sound bigger and fatter, or tighter and thinner. The "Honey" control just adds sugar. Roll it down for a nice and smooth crunch, or roll it up for a smooth and dynamic drive, where your hands dictate the breakup. You also got tone control and master volume. With so many possibilities, it's hard to not find a place for it on your board. It's truly a hive of sweet tones.

The OctaHive is a super high gain fuzz with a well pronounced high pitch octave. The octave can be turned off by the toggle switch, turning it into a warmer and thicker fuzz pedal. The best way to achieve a well pronounced octave sound is by rolling off on the PRE gain and tone control on your instrument. The balance between  PRE and Honey is the key to achieve a variety of sounds. On the octave mode, things can get really nasty, splashy, and gated. It's great for high gain leads, especially when played above the 12th fret. With a little less HONEY you can get that "purple haze" tone. At low gain settings, it can produce "ring modulator" overtones, great for textures. With the octave off, it's a whole different pedal, producing a warmer and thicker fuzz tone, making it more versatile and "chord friendly". The OctaHive was based on the 1970's Tycobrahe Octavia and it can produce classic and modern sounds. A great addition to every pedalboard.

SPECIFICATIONS BODY: Old stock Mahogany w/AAAAA koa top NECK: Old stock figured Koa full tenon - medium slim D profile - old stock cocobolo with dot inlay markers/Jescar medium jumbo frets PICKGUARD: Hand-cut/polished tortoise nitrate PICKUPS: Echopark 57  ELECTRONICS: 3-way Switchcraft selector, independent volume/tone controls, CTS pots HARDWARE: Tuners - Grover pre-war                       Bridge/Tailpiece - ABR1-N true historic/Bigsby B-12 FINISH: Caramel burst nitro ADDITIONAL: Hard case in trout telex

SPECIFICATIONS BODY: Mahogany NECK: Rock maple neck - 58C profile .88 - .92 taper - maple fretboard with black dot inlay markers/Jescar 8550 frets PICKUPS: Echopark by Arcane Inc/56 gray bobbin ELECTRONICS: 3-way Switchcraft selector, independent volume/tone controls, CTS 550k pots HARDWARE: Tuners - Gotoh vintage style w/iveroid buttons                       Bridge - Echopark Custom Spec FINISH: Aged Nitro in red  ADDITIONAL: TKL gig bag

The Warhorn is a mid-range, transparent overdrive pedal that’s capable of punchy rhythm, to searing Texas Blues leads. For added versatility, the pedal features a toggle switch that provides two flavors of clipping. The up position is a more compressed, symmetrically clipped tone, and the down position is an asymmetric, more open and organic sound. It includes Level, Drive, Bass and Treble controls providing a  large range of tweaking and shaping options for your original tone. The Warhorn comes in “prismatic gold” enclosure with white, cream and black ink. Artwork features a warrior at the front lines brandishing an intricate battle horn leading his army in a victorious battle.

The Phoenix Clean Power Supply is a 15-output isolated power supply, utilizing two internal custom  wound toroidal transformers to provide the highest noise filtering and cleanest power, giving artists the purest sound in their signal chain possible. The Phoenix fits under most pedal boards including Pedaltrain (PT JR and up), Pedal Pad, Blackbird Boards, Creation Music Company, and Holeyboards. We recommend high profile dual lock for mounting the Phoenix under your board. The Phoenix comes in a durable frosted charcoal texture enclosure and can more than hold up to the demands of touring.