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We’ve kept your original, dry signal path analog and pure, then given you a +21db boost/overdrive preamp to smash a low fidelity digital delay chip designed for karaoke machines and kids’ toys into smeared, repeated glory. Yeah, we’re going back in time – back to when they measured data in KILOBYTES! This pedal is VERY capable of fun runaway oscillations, both by turning up the summation knob or a controlled, high-pass filtered oscillation from the Havoc momentary footswitch. If you’ve ever struggled to make your delays come through prominently in the mix, or lost definition from your original signal, the attack and level controls can allow you to dial up everything from crisp, clean slapbacks to dirty, muted echoes and loud, powerful repeats. A beautiful, subtle modulation circuit courtesy of our friend Jack DeVille also sweetens the repeats with just the right amount of movement.

The Amp is now available in a 12" combo with many of the same features as the pedal: universal power input between 100-240V, a balanced line level output with analog cabinet simulation, splashy reverb, rich VCA tremolo, and portability. The 12" combo brings The Amp into a new dimension as a full featured grab and go amplifier. The Amp is housed in a lightweight and resonant Pine cabinet with a 12" Celestion Creamback Neo speaker with a total weight of only 22 pounds! For silent stages, The Amp can be run in "Mute" mode which disables the speaker output while sending signal to the direct output. The overall tone is identical to The Amp, and like the pedal all of the outputs are live all of the time which makes signal routing a breeze. Effects can be individually bypassed with the included 2 button foot switch. The Amp 12" Combo adds an external speaker output so you can power a second 8ohm speaker and create even more of a presence on stage. With a second speaker attached, The Amp puts out 100W (into 4ohms) which is plenty of power for large venues.      WATTAGE 50W with internal 8ohm speaker 100W with both internal speaker and 8ohm extension attached EFFECTS Reverb and Tremolo DIMENSIONS & WEIGHT 19-7/8" W x 16" H x 9" D 22lbs

The Hizumitas was designed for the one and only guitar sorceress, Wata, from the legendary band, Boris! We could not be more excited to have the honor of working with such an iconic legend known for her crushing riffs and mind-melting leads. The Hizumitas is a faithful sonic recreation of her go-to distortion which has been a staple of her tone for many years: the Elk BM Sustainar.

Features & Specs chambered mahogany body German carve top (mahogany on solid colors, maple on burst / natural) double bound body set maple neck bound fingerboard aged perloid block inlays​ bound peghead 32” scale – 20 medium jumbo frets 12″ fingerboard radius 1 1/2″ nut width​ Rivolta Medium C neck profile Rivolta custom wound pickups nickel hardware open gear tuners​ nickel bridge plate gold plexi pickguard

Enclosure Dimensions (in):  4.77" x 2.6" x 1.39" Power:  9-18 volt neg. center pin ONLY.   Current draw:  11mA @ 9v.  The Lightspeed  Organic Overdrive is a very natural sounding overdrive. Why "organic"?  Well, simply put, it's the clearest, most natural feeling, and best overdrive we've heard for the player looking for a natural drive tone.  Blending with the tone of the guitar and amplifier, this pedal has rich harmonics and complex but smooth clipping. The Lightspeed Overdrive is sensitive to pick attack and has a different "feel" than other overdrives. The Lightspeed can be set to be "transparent," but can also drive your signal to the edge.  On tour with Peter Stroud (Sheryl Crow, and others), Alex Weeden (Miranda Lambert), Drew Shirley (Switchfoot), J.B. Brisendine (Brother Hawk), Casey Meyer (Jim Quick and Coastline), Jason "JJ Boogie" Reichert (Arrested Development), James Duke, Matt Goldman (Glow in the Dark Studios), JR Mead (Kutless), Jordan Peters (Lauryn Hill), and more! Natural light to mild overdrive! Rich harmonics, smooth clipping! Can be set to sound like original signal (what some call "transparent")! True Bypass! Uses 9-Volt battery or standard neg. center, 2.1mm power supply. Built with top quality components Lifetime Warranty to the original owner!

The Keeley Delay Workstation is a powerful, dual DSP processor delay and reverb machine.  Combining Keeley’s unique delay and reverb patches in an incredibly small package, the Delay Workstation is an extremely creative tool. With the Delay Workstation you can combine vintage slapback and multi-head tape echoes with Spring or plate reverbs to create some instantly classic sound spaces.  You can set the Delay Workstation for warm sounding analog delays and then use the chamber or hall reverbs to create a huge warm and endless space.  Need rhythmic delays with some shimmer?  It’s here.  Always wanted to have the perfect ducking delay?  One that backs out of the way until your done with your notes, then the echoes fill in. “Ducking” is a very intelligent way for clearing the clutter in a sound that would normally be overrun with delays and echoes.   Wanna get twisted?  Try the Pitch delay into our Flanged Reverb. The Reverb side of the Delay Workstation contains all of the most common reverbs and some delays. The Morph control allows users to put creative twists on the reverb patches like spring tension, shimmer, and random flanging.  There are two delays included in the reverb bank.  You can use these to setup very cool ping-pong delays and many other creative rhythmic patterns. Two banks of eight legendary effects.  Super Fidelity.  Super Compact. The Delay Workstation has on-board tap tempo on the Delay side and external expression control on the Reverb side. Effects Include: Slapback w/reverb Tape Delay w/tone control Multi-Head Echo w/3 head control Analog Delay w/dynamic modulation Digital Delay w/inverse dynamic modulation Subdivided Delay w/dotted eighth, eighth, triplet, sixteenth Ducking w/compression ratio Pitch Shifting delay with w/octave up/down control Spring Reverb w/tension control Chamber Reverb w/filter control Hall Reverb w/tone control Plate Reverb w/tone control Shimmer w/octave up control Flanged Reverb w/vibrato or random modulation

The Astral Destiny is a compact and powerful modulated octave reverb pedal that features 8 reverb modes with 8 editable presets, assignable expression control, tails for natural reverb decay when the effect is bypassed and a super cool stretch feature that doubles the length of the reverb while adding an adjustable pitch bending effect.

This one is for experimenters, adventurists, and noisemakers. Totally not for purists and/or tone hounds. There are no “natural sounds” that come from this box. It takes modern DSP and uses it as a tool of future past to create real-time pitch shifting using digital oscillators.

The Airline Newport DLX is our love letter to the rare National Newport Val-Pro 88 from the late 50’s and early 60’s. Icons of the studio and stage have recognized the draw of the vintage National guitars’ Valco designs, from The Cure’s Robert Smith to The Black Keys’ Dan Aurbach. Our Newport DLX boasts two ‘Vintage Voiced Double Coil’ humbuckers as well as a piezo bridge pickup and a 5-way pickup selector switch. Each pickup has individual volume and tone-control knobs located above allowing for endless tonal combinations and experimentation. Throw in a Bigsby tailpiece and a master volume-control knob, and you’ve got a modern tone monster with all of the mojo of a vintage National.   Product Details: Body: Tone Chambered Mahogany Neck: Maple, Bolt-on Fingerboard: Pau Ferro, Sharks Tooth Fret Markers Scale Length: 24 3/4″ Scale, Zero Fret Width at Nut: 1 5/8″ Pickups: Dual Airline VVDC Humbuckers Switching: 5-way Controls: 1 Volume, 1 Tone for each pickup, master volume Bridge: Tun-o-matic Hardware: Grover Style Nickel/Chrome Strings: D’Addario #10 Unique Features: Rubber body binding, Piezo bridge pickup Unique Features: NATIONAL-Style Striped Pickguard  

SPECIFICATIONS BODY: Semihollow maghogany w/maple top NECK: Mahogany  - east indian rosewood with sterling silver ring markers and standard Dolphin carve PICKGUARD: Black PICKUPS: TroneBucker set  ELECTRONICS: 3 way selector, volume & tone controls HARDWARE: Tuners - Nik Huber 510 open gear w/tulip buttons                       Bridge/Tailpiece - Nik Huber Stoptail FINISH: Worn Copper top/open pore back/sides ADDITIONAL: Hard case

The FQ12 Dual Range Bastard is equipped with individual true bypass switches for both boost and frequency selections.A discreet 6 position notched filter as designed in the early 50's. Custom wound inductor with the ability to select either 50% or 100% of the coil. allowing 12 separate tonal bandwidths to choose from.The Boost control can be accessed independently. Settings range from unity or clean boost to a powerful pre-amp style drive with no original tone loss. Harmonic richness. This unit allows the player access to do anything from a Revolver-era Vox tone to a Brian May tone and all points in between. The FQ12 creates a new palate of focused frequencies enabling the player to find and create within the confines of a multi-instrument ensemble, when boosting or adding more effect to your signal path is not working. Use for chord, single note and arpeggiated passages within a large group of instruments sharing similar frequencies or add actual tonal dimensions to your to rig without compromising your original Tone. Made in America.

A synthetic atmosphere creator. Use the effect on any instrument to add depth and simulate different environments. Push the Altitude and hear the reverb blasted with gloom and distorted shimmer. Flip the tone toggle to get completely different vibes. Experiment and combine a variety of settings to obtain the perfect ambiance for your sound. CONTROLS Vol: Controls the master output volume. Altitude Control:  This is similar to gain. Turn it up to bring in a more wide open, distorted sound. Verb: Blends in the amount of reverb. Dark/Light Symbol:  Dark cavernous reverberation to  bright shimmering reverberation. **When the Altitude and Verb controls are turned past 12 o'clock, the pedal can produce potentially harmful volumes, white noise, and other artifacts** . SPECIFICATIONS Dimensions: 4.86" x 3.67" x 2.06" (including hardware). Weight: 14 oz. Power: 9V (runs ons a positive ring, negative tip 9V DC adapter or included 9V battery). Current Draw: 66 mA.

A powerful, ethereal delay pedal with otherworldly controls. Push the feedback for vast worlds of colorful sound. Introduce a bit of warble with the modulator for ghastly chorus tones, or a ton of it to absolutely warp the delayed signal. Once your delay is thoroughly warbled, turn up the fuzz and pulverize it into delayed, shattered pieces. This is the preferred echo for recording engineers and touring pros around the world because, simply put, it just sounds that good. CONTROLS Master: Sets the overall volume. Fuzz: Sets the amount of gain, from clean to fuzzed-out bliss. Delay: Sets the volume of the delayed signal. D Time: Controls the delay time (numbers shown in milliseconds) between 20 ms and 1.2 seconds. Long delay times can create flutter, noise, and distortion.  FBack: Controls the feedback of the delays, from slapback to wild runaway oscillation.  Left Toggle:  Up for clean blend,  down to kill the dry signal and hear only the repeats. Speed: Controls how fast the modulator runs.  Depth: Sets how far the modulator will swing the delay time. At high intervals, the pitch of the repeats will shift several semitones! Right Toggle:  Up for a smoother modulator waveform,  down for a sharp, square-shaped wave. . SPECIFICATIONS  Dimensions: 5.87" x 4.72" x 2.35" (including hardware). Weight: 21 oz. Power: 9V (runs on standard 2.1mm negative center 9V adapter or included 9V battery). Current Draw: 40 mA.  

Westwood is a touch sensitive translucent overdrive manipulator as clean and pure as the breeze which blows through a grove of Douglas Fir trees, and as hot as a damn fine cup of coffee. This mild-mannered light- to medium-gain overdrive with active EQ controls will still knock the socks right off your trusty low-wattage combo amp, pushing it into anything from cutting, edge-of-breakup rhythm tones, all the way to articulate, singing lead tones stacked high with pleasing even-order harmonics and sweet, sweet sustain. And if you pair it up with your favorite head and cab, you should probably call the neighbors first, because the Westwood’s Level control has enough output on tap to alert the proper authorities. Even the FBI. Each and every Westwood is a real Blue Rose case, hand built by a team of special agents in the Black Lodge of Akron, Ohio, USA, where the owls are not what they seem, there’s always music in the air, and the birds sing a pretty song.

Rossie is a dynamic multi-filter pedal, encompassing 3 essential tone-enriching filter effects: * Envelope Filter - a colourful resonant filter that follows your picking dynamics.* Step Filter - a groovy, arpeggiated filter with fully adjustable steps.* Manual Filter - great for static tone shaping or sweep-able wah-like effect using an expression pedal.Each filter mode offers 4 filter types: lowpass, bandpass, highpass, and peaking. Sweep range and resonance width are also adjustable. And on top of all of these, a dedicated Mix knob allows blending of wet and dry signal, this gives you total control of how much filtering effect is imparted on your guitar or bass signal.