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[em-uh-ser-ee] Anatomy. Sending or coming out, as certain veins that pass through the skull and connect the venous sinuses inside with the veins outside. Built from the ground up, Walrus Audio has developed a new 2-in-1 boost to help make leads stand out, slides sing, finger picking come to life and to push tube amps into great natural breakup. Like the veins its named after, the Emissary Parallel Boost features two independent boost circuits running in parallel to work together to help give your tone a real “sinus clearing experience”. Use one or the other by itself, or mix any combination of both by turning up each knob to the desired level. The top knob controls the volume for the “bright” boost circuit. This is a clean, high headroom JFET boost, with a slight emphasis on higher frequencies to liven up your tone. The bottom knob controls the volume for the “mid” boost circuit. This circuit features a targeted boost at either 1kHz or 800Hz selected by the toggle switch. The bypass switch also features a momentary function. When the bypass switch is in off position, press and hold to temporarily activate the effect. Releasing the switch turns the effect off.

The  Descent was designed to create ambient textures of sound, from thick and endless hall reverbs to symphonic shimmers. The Descent is a three mode reverb system; hall, reverse, and shimmer. In each mode, the user has the ability to feed +1 and -1 octaves into the reverberated signal. The Hall mode will feature a classic reverb sound that can move your signal from a small-room-echo to a haunting long hall- echo. The Reverse mode smoothly flips your signal to playback unique responses and can be manipulated with pre-delay time controls. Shimmer mode highlights the octave features, dry signal, -1, and +1 to mix in your signal and creates a symphony of sound. The Descent offers you eight controls to precisely hone in your perfect reverb. In addition, the user can use an auxiliary momentary switch in the fav input to switch the pedal on/off and/or save presets. If you have an already crowded pedal board, you can set your Descent at the back of the board and run a small SPST switch to the front of the board so you don’t lose valuable real estate. The Fav input requires a TRS cable to be used. The expression pedal control works with most on-the-shelf expression pedals. This feature allows the user to set the high and low parameters of each control and then fade in and out the those controls by moving your foot up or down on the expression pedal.

The ARP-87 is a compact, feature-rich delay, packed with a large pallet of inspirational delay tones. Featuring four main algorithms, digital, analog, lo-fi, and slap back, the ARP-87 can cover some serious ground in the world of echoes. The  Digital algorithm boasts pristine, crystal clear repeats great for rhythmic riffs. The Analog setting works well to add warmth and dimension to chords and lines without getting in the way. The Lo-Fi algorithm, with its adjustable frequency range on the repeats, goes from warm, warped, and murky, to strait AM radio. Finally, the Slap setting makes it easy to dial in a great slap back echo perfect for smoking chicken pickin’ runs. With other features like our smart bypass switching, and momentary knob ramp, the ARP-87 provides endless creative opportunities that are waiting to be explored.   The X knob changes functions depending on which Algorithm you are using. It adjusts a specific parameter in each algorithm. In Digital, Analog, and Slap modes, the knob will control modulation depth. In Lo-fi mode, the knob will control Filter width.  Note that when changing delay types this loads a whole new algorithm and the tempo must be tapped in again. Max delay time is 1000ms. Trails Mode The ARP-87 can be run in trails or no trails mode. In trails mode, when you turn the pedal off, the delay trails die off naturally. In no trails mode, the delay trails are abruptly cut off when you turn the pedal off. To toggle between either mode, hold down the bypass switch for 1 second while applying power to the pedal. Unplug power and repeat to toggle to the other mode. Momentary Functions When the switch is in off position, press and hold the Bypass Switch to temporarily activate the effect to add a moment of delay texture. Releasing the switch turns the effect off. When the effect is on, press and hold the bypass switch to momentarily ramp the X parameter to maximum. Releasing the switch sets the X parameter back to the knob location.  Press and hold the Tap Switch to temporarily ramp the feedback to maximum. Release to set the feedback back to the knob location.

The  Walrus Audio Aetos is an 8-output, isolated power supply, utilizing an internal custom wound toroidal transformer to provide the highest noise filtering and cleanest power, giving artists the purest sound in their signal chain. The Aetos is housed in a solid die cast enclosure and is 4.7”long  x 3.7” wide x 2” height and  has 8 total 9VDC outputs, 6 are 100mA and 2 outputs are high current outputs (300mA)  for higher current drawing pedals like line 6 DL series modelers, the Boss Twin Series Pedals and many digital modulation pedals on the market. It comes with a detachable 120V AC Power cord and also has a 120VAC complimentary power output. This unit comes with 8 – 2.1mm barrel black power cables and 2 black-to-red (Line 6) power cables.  We recommend high profile dual lock for mounting the Phoenix under your board. Fits under most pedal boards including Pedaltrain (PT JR and up), Pedal Pad, Blackbird Boards, Creation Music Company, and Holeyboards.

Dynamic, responsive, tube-like, and amp-like. Walrus Audio is extremely excited to announce the new 385 Overdrive that is boastfully responsible for all those adjectives. For decades now, guitarists in search of pure tone have been taking the tube-powered audio sections of vintage film projectors and using it as a guitar amp. Heads up – it sounds amazing. After endless hours of research on vintage Bell and Howell 385 Filmosound projector, Walrus has created a fantastic new overdrive modeled after the projector’s tone. The Bell and Howell 385 gracefully lends itself to create an amazing guitar amp. Its simple, but effective controls, plus dual 6V6 output section make for a simple and extremely responsive amp that has an amazing compressed overdrive when cranked. THIS was the sound and feel Walrus needed to shoot for in an amp-like pedal. The 385 was developed to have the same simple but effective tone control as it’s grandfather. The amp has this as well but bass and treble are stacked behind the single tone knob. With our design breaking them up, we allow for a much wider array of tones to be achieved. The user is able to boost and cut bass and treble, allowing them to be creative with mid-frequency scoops and bumps. The pedal is internally running at 18v, which helps us nail the same dynamic feel of the amp in a stomp box. This means it is extremely sensitive to how hard you dig in – just like the amp. 

The High-Rise is a new premium overdrive with massive frequency range and incredible touch sensitivity. High-Rise responds dynamically to your guitar’s tone settings and enhances them; it doesn’t mask them. The “Steel” circuit acts as a clean boost, bringing clear, organic overdrive to any amp or pedal combination. The “Concrete” circuit delivers additional gain, grit, and saturation. Together, the two circuits offer a myriad of tonal possibilities for a wide range of playing styles. Explore and achieve new tones from each side individually, or use them together. Get higher. The High-Rise was designed by Saul Koll and Portland effects maestro Jack Deville, with graphic design by Aaron Draplin. The knobs were custom designed by Saul and cast by Matt Haramis. It’s true-bypass and runs quietly on a 9VDC adapter or an optional internal 9V battery (run at 18VDC for added headroom and clarity). Every pedal is handmade one-by-one in Portland, Oregon.

The Swarm is an Analog Fuzz Harmonizer that sounds like a thousand killer bees coming to get you! It basically turns your input signal into a square wave, than multiplies and divides the frequency of that wave, giving you nine possible harmonies in two different octaves. Modulation is applied to the harmonies making them go from a nearly perfect tracking harmony to a wild and uncontrollable swarm of mad bees. WORKER sets the level of your input signal, now fuzzy and buzzy. SPECIES allows you to select between 9 different intervals for your harmonies. QUEEN and DRONE set the levels for each of the harmonies that stay one octave apart. FLIGHT and STING control the modulation applied to the harmonies. They are highly interactive controls and you will find many different sounds by just messing with them. STING sets how fast or slow the harmonies will follow your playing. Turn it CCW for it to feel like the harmonies sting you at every note you play. Turn it CW and the harmonies will sound like a drunk bee hovering up and down around the root. FLIGHT will set the response of the modulation. CCW the harmonies will keep it oscillating up and down, while CW it will glide and hold from one note to the next. MASTER control will set your output volume. With all that said, no matter how one tries to explain the theory and what each control does, the Swarm is best when played by instinct.

body:alder neck-med c-10" radius aging level: medium pickups:rittenhouse pick guard: mint green hardware: nickel

Roaring like a British Lion from Wembley to the Sunset Strip, the Jubilee is ready to melt faces.  Sure, it can do subtle but that's no fun.  Crank it up and rock out.   Controls: Loudness:  Controls the output level of the pedal. Drive:  Adjusts the gain and distortion of the pedal. Treble / Middle / Bass:  Passive three-band tone stack, voiced like a British amplifier.    Power Supply: The Jubilee requires a DC power supply with a 2.1mm pin, center negative.  The Jubilee will operate on power supply voltages up to 18V and does not use a battery.  The Jubilee should work fine on a multi-pedal "daisy chain" connector, but if you encounter excessive noise or hum try a separate power supply.

 EarthQuaker iDevices is proud to introduce you to your new best bud,Gary.This little bigly was dreamt up by the one and only Lee Kierman from the. crushing and most necessary band,Idles! Gary started as a simple request to create a compact version of the now discounted  Gary Channel. Which was a mainstay on Lee's board and big part of his main drive tone.This was all fine and good, and sounded quite sick, but Gary was demanding that we look deeper and explore his dark side a little more.Gary after dark, Saturday night Gary. So we sat him down and began the trek of figuring old Gare-Bear out once and for all. The results a real exercise in light and dark; smooth too shredded and everything in between.