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The ARP-87 is a compact, feature-rich delay, packed with a large pallet of inspirational delay tones. Featuring four main algorithms, digital, analog, lo-fi, and slap back, the ARP-87 can cover some serious ground in the world of echoes. The Digital algorithm boasts pristine, crystal clear repeats great for rhythmic riffs. The Analog setting works well to add warmth and dimension to chords and lines without getting in the way. The Lo-Fi algorithm, with its adjustable frequency range on the repeats, goes from warm, warped, and murky, to strait AM radio. Finally, the Slap setting makes it easy to dial in a great slap back echo perfect for smoking chicken pickin’ runs. With other features like our smart bypass switching, and momentary knob ramp, the ARP-87 provides endless creative opportunities that are waiting to be explored. The X knob changes functions depending on which Algorithm you are using. It adjusts a specific parameter in each algorithm. In Digital, Analog, and Slap modes, the knob will control modulation depth. In Lo-fi mode, the knob will control Filter width. Note that when changing delay types this loads a whole new algorithm and the tempo must be tapped in again. Max delay time is 1000ms. Trails Mode The ARP-87 can be run in trails or no trails mode. In trails mode, when you turn the pedal off, the delay trails die off naturally. In no trails mode, the delay trails are abruptly cut off when you turn the pedal off. To toggle between either mode, hold down the bypass switch for 1 second while applying power to the pedal. Unplug power and repeat to toggle to the other mode. Momentary Functions When the switch is in off position, press and hold the Bypass Switch to temporarily activate the effect to add a moment of delay texture. Releasing the switch turns the effect off. When the effect is on, press and hold the bypass switch to momentarily ramp the X parameter to maximum. Releasing the switch sets the X parameter back to the knob location. Press and hold the Tap Switch to temporarily ramp the feedback to maximum. Release to set the feedback back to the knob location.

Walrus Audio Aetos $169.00

The Walrus Audio Aetos is an 8-output, isolated power supply, utilizing an internal custom wound toroidal transformer to provide the highest noise filtering and cleanest power, giving artists the purest sound in their signal chain. The Aetos is housed in a solid die cast enclosure and is 4.7”long x 3.7” wide x 2” height and has 8 total 9VDC outputs, 6 are 100mA and 2 outputs are high current outputs (300mA) for higher current drawing pedals like line 6 DL series modelers, the Boss Twin Series Pedals and many digital modulation pedals on the market. It comes with a detachable 120V AC Power cord and also has a 120VAC complimentary power output. This unit comes with 8 – 2.1mm barrel black power cables and 2 black-to-red (Line 6) power cables. We recommend high profile dual lock for mounting the Phoenix under your board. Fits under most pedal boards including Pedaltrain (PT JR and up), Pedal Pad, Blackbird Boards, Creation Music Company, and Holeyboards.

Walrus Audio 385 $199.00

Dynamic, responsive, tube-like, and amp-like. Walrus Audio is extremely excited to announce the new 385 Overdrive that is boastfully responsible for all those adjectives. For decades now, guitarists in search of pure tone have been taking the tube-powered audio sections of vintage film projectors and using it as a guitar amp. Heads up – it sounds amazing. After endless hours of research on vintage Bell and Howell 385 Filmosound projector, Walrus has created a fantastic new overdrive modeled after the projector’s tone. The Bell and Howell 385 gracefully lends itself to create an amazing guitar amp. Its simple, but effective controls, plus dual 6V6 output section make for a simple and extremely responsive amp that has an amazing compressed overdrive when cranked. THIS was the sound and feel Walrus needed to shoot for in an amp-like pedal. The 385 was developed to have the same simple but effective tone control as it’s grandfather. The amp has this as well but bass and treble are stacked behind the single tone knob. With our design breaking them up, we allow for a much wider array of tones to be achieved. The user is able to boost and cut bass and treble, allowing them to be creative with mid-frequency scoops and bumps. The pedal is internally running at 18v, which helps us nail the same dynamic feel of the amp in a stomp box. This means it is extremely sensitive to how hard you dig in – just like the amp.

Koll High-Rise Duo Drive $225.00

The High-Rise is a new premium overdrive with massive frequency range and incredible touch sensitivity. High-Rise responds dynamically to your guitar’s tone settings and enhances them; it doesn’t mask them. The “Steel” circuit acts as a clean boost, bringing clear, organic overdrive to any amp or pedal combination. The “Concrete” circuit delivers additional gain, grit, and saturation. Together, the two circuits offer a myriad of tonal possibilities for a wide range of playing styles. Explore and achieve new tones from each side individually, or use them together. Get higher. The High-Rise was designed by Saul Koll and Portland effects maestro Jack Deville, with graphic design by Aaron Draplin. The knobs were custom designed by Saul and cast by Matt Haramis. It’s true-bypass and runs quietly on a 9VDC adapter or an optional internal 9V battery (run at 18VDC for added headroom and clarity). Every pedal is handmade one-by-one in Portland, Oregon.

Beetronics Swarm $249.00

The Swarm is an Analog Fuzz Harmonizer that sounds like a thousand killer bees coming to get you! It basically turns your input signal into a square wave, than multiplies and divides the frequency of that wave, giving you nine possible harmonies in two different octaves. Modulation is applied to the harmonies making them go from a nearly perfect tracking harmony to a wild and uncontrollable swarm of mad bees. WORKER sets the level of your input signal, now fuzzy and buzzy. SPECIES allows you to select between 9 different intervals for your harmonies. QUEEN and DRONE set the levels for each of the harmonies that stay one octave apart. FLIGHT and STING control the modulation applied to the harmonies. They are highly interactive controls and you will find many different sounds by just messing with them. STING sets how fast or slow the harmonies will follow your playing. Turn it CCW for it to feel like the harmonies sting you at every note you play. Turn it CW and the harmonies will sound like a drunk bee hovering up and down around the root. FLIGHT will set the response of the modulation. CCW the harmonies will keep it oscillating up and down, while CW it will glide and hold from one note to the next. MASTER control will set your output volume. With all that said, no matter how one tries to explain the theory and what each control does, the Swarm is best when played by instinct.

Rittenhouse guitars T-model surf green $1,989.00

body:alder neck-med c-10" radius aging level: medium pickups:rittenhouse pick guard: mint green hardware: nickel

Alexander Jubilee Silver Overdrive $189.99

Roaring like a British Lion from Wembley to the Sunset Strip, the Jubilee is ready to melt faces. Sure, it can do subtle but that's no fun. Crank it up and rock out. Controls: Loudness: Controls the output level of the pedal. Drive: Adjusts the gain and distortion of the pedal. Treble / Middle / Bass: Passive three-band tone stack, voiced like a British amplifier. Power Supply: The Jubilee requires a DC power supply with a 2.1mm pin, center negative. The Jubilee will operate on power supply voltages up to 18V and does not use a battery. The Jubilee should work fine on a multi-pedal "daisy chain" connector, but if you encounter excessive noise or hum try a separate power supply.

EarthQuaker Devices Gary $199.00

EarthQuaker iDevices is proud to introduce you to your new best bud,Gary.This little bigly was dreamt up by the one and only Lee Kierman from the. crushing and most necessary band,Idles! Gary started as a simple request to create a compact version of the now discounted Gary Channel. Which was a mainstay on Lee's board and big part of his main drive tone.This was all fine and good, and sounded quite sick, but Gary was demanding that we look deeper and explore his dark side a little more.Gary after dark, Saturday night Gary. So we sat him down and began the trek of figuring old Gare-Bear out once and for all. The results a real exercise in light and dark; smooth too shredded and everything in between.

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Nik Huber Surfmeister $5,195.00

SPECIFICATIONS BODY: Semihollow maghogany w/maple top NECK: Mahogany - east indian rosewood with sterling silver ring markers and standard Dolphin carve PICKGUARD: Black PICKUPS: TroneBucker set ELECTRONICS: 3 way selector, volume & tone controls HARDWARE: Tuners - Nik Huber 510 open gear w/tulip buttons Bridge/Tailpiece - Nik Huber Stoptail FINISH: Worn Copper top/open pore back/sides ADDITIONAL: Hard case

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Echopark FQ12 Dual Range Bastard $265.00

The FQ12 Dual Range Bastard is equipped with individual true bypass switches for both boost and frequency selections.A discreet 6 position notched filter as designed in the early 50's. Custom wound inductor with the ability to select either 50% or 100% of the coil. allowing 12 separate tonal bandwidths to choose from.The Boost control can be accessed independently. Settings range from unity or clean boost to a powerful pre-amp style drive with no original tone loss. Harmonic richness. This unit allows the player access to do anything from a Revolver-era Vox tone to a Brian May tone and all points in between. The FQ12 creates a new palate of focused frequencies enabling the player to find and create within the confines of a multi-instrument ensemble, when boosting or adding more effect to your signal path is not working. Use for chord, single note and arpeggiated passages within a large group of instruments sharing similar frequencies or add actual tonal dimensions to your to rig without compromising your original Tone. Made in America.

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Death By Audio Reverberation Machine $225.00

A synthetic atmosphere creator. Use the effect on any instrument to add depth and simulate different environments. Push the Altitude and hear the reverb blasted with gloom and distorted shimmer. Flip the tone toggle to get completely different vibes. Experiment and combine a variety of settings to obtain the perfect ambiance for your sound. CONTROLS Vol: Controls the master output volume. Altitude Control: This is similar to gain. Turn it up to bring in a more wide open, distorted sound. Verb: Blends in the amount of reverb. Dark/Light Symbol: Dark cavernous reverberation to bright shimmering reverberation. **When the Altitude and Verb controls are turned past 12 o'clock, the pedal can produce potentially harmful volumes, white noise, and other artifacts** . SPECIFICATIONS Dimensions: 4.86" x 3.67" x 2.06" (including hardware). Weight: 14 oz. Power: 9V (runs ons a positive ring, negative tip 9V DC adapter or included 9V battery). Current Draw: 66 mA.

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Death By Audio Echo Dream 2 $280.00

A powerful, ethereal delay pedal with otherworldly controls. Push the feedback for vast worlds of colorful sound. Introduce a bit of warble with the modulator for ghastly chorus tones, or a ton of it to absolutely warp the delayed signal. Once your delay is thoroughly warbled, turn up the fuzz and pulverize it into delayed, shattered pieces. This is the preferred echo for recording engineers and touring pros around the world because, simply put, it just sounds that good. CONTROLS Master: Sets the overall volume. Fuzz: Sets the amount of gain, from clean to fuzzed-out bliss. Delay: Sets the volume of the delayed signal. D Time: Controls the delay time (numbers shown in milliseconds) between 20 ms and 1.2 seconds. Long delay times can create flutter, noise, and distortion. FBack: Controls the feedback of the delays, from slapback to wild runaway oscillation. Left Toggle: Up for clean blend, down to kill the dry signal and hear only the repeats. Speed: Controls how fast the modulator runs. Depth: Sets how far the modulator will swing the delay time. At high intervals, the pitch of the repeats will shift several semitones! Right Toggle: Up for a smoother modulator waveform, down for a sharp, square-shaped wave. . SPECIFICATIONS Dimensions: 5.87" x 4.72" x 2.35" (including hardware). Weight: 21 oz. Power: 9V (runs on standard 2.1mm negative center 9V adapter or included 9V battery). Current Draw: 40 mA.

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EarthQuaker Devices Westwood $179.00

Westwood is a touch sensitive translucent overdrive manipulator as clean and pure as the breeze which blows through a grove of Douglas Fir trees, and as hot as a damn fine cup of coffee. This mild-mannered light- to medium-gain overdrive with active EQ controls will still knock the socks right off your trusty low-wattage combo amp, pushing it into anything from cutting, edge-of-breakup rhythm tones, all the way to articulate, singing lead tones stacked high with pleasing even-order harmonics and sweet, sweet sustain. And if you pair it up with your favorite head and cab, you should probably call the neighbors first, because the Westwood’s Level control has enough output on tap to alert the proper authorities. Even the FBI. Each and every Westwood is a real Blue Rose case, hand built by a team of special agents in the Black Lodge of Akron, Ohio, USA, where the owls are not what they seem, there’s always music in the air, and the birds sing a pretty song.

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GFI Rossie $199.00

Rossie is a dynamic multi-filter pedal, encompassing 3 essential tone-enriching filter effects: * Envelope Filter - a colourful resonant filter that follows your picking dynamics.* Step Filter - a groovy, arpeggiated filter with fully adjustable steps.* Manual Filter - great for static tone shaping or sweep-able wah-like effect using an expression pedal.Each filter mode offers 4 filter types: lowpass, bandpass, highpass, and peaking. Sweep range and resonance width are also adjustable. And on top of all of these, a dedicated Mix knob allows blending of wet and dry signal, this gives you total control of how much filtering effect is imparted on your guitar or bass signal.

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Benson Germanium Boost $199.00

When designing the temperature controlled fuzz, we tried some unusual approaches. One false start utilized a voltage controlled error correction circuit to bias a single germanium transistor. It ultimately didn’t work for the fuzz, which is comically sensitive to transistor gain attributes. We did find a place for it though. It turns out it was PERFECT for achieving a germanium clean boost that, (like our fuzz) is impervious to component drift, leakage, and temperature....moreso in fact. We also fixed a couple other issues preventing the germanium transistor from being used as a convinc- ing linear boost...we increased the input headroom (even a normal guitar signal will drive a germanium transistor into unwanted input distortion without some tweaks) and increased the input impedance (a BJT transistor would normally thin out bass frequencies and interact negatively with whatever flows into it). The result is a germanium clean boost that can utilize a germanium transistor WITHOUT the weird artifacts that were previously accepted as part of the deal...temperature sensitivity, drift, and suboptimal input impedance and headroom. After the boost is first powered up, it takes about ten seconds before the error correction circuit correctly biases the germanium transistor After this things get interesting....we can hear how having the boost engaged makes guitar signals sound more musical...even when set at the same volume as the bypassed tone. Notes are given a simultaneously smoother and more detailed character, like a compressor but different. Some people we’ve shown it to have noted that it appears to deemphasize the unwanted parts of a signal and enhance the good. It’s killer on bass. It helps acoustic guitar pickups sound more natural. And of course it’ll push your amp into a frenzy. We hope you like it.

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