Products

JHS Pedals is proud to release the Paul Gilbert signature distortion "PG-14!” This is a new and unique distortion pedal specifically designed to Paul's specifications. At the heart of the circuit is a FET based distortion engine that emulates the touch, feel, and the response of a pushed tube amplifier.  This circuitry allows the player to have the dynamics and tone of loud stadium level amplifier at low/moderate volume levels.   ALL THE MIDS CONTROL! A second unique and essential feature of the design is that an active mid-frequency preamp is located at the front of the FET distortion circuitry. This design feature gives the user a vast sweep of tonal possibilities with any amp or guitar combination. The PG-14 is an end-all pedal for adding the ultimate dirt channel to your amplifier. A bonus feature is that it gives you all of Paul Gilbert's talent, decades of experience, and countless years of practice!  Just hit the footswitch!   THIS PEDAL REQUIRES STANDARD 9V DC NEGATIVE POWER, CONSUMES 67MA, AND MEASURES 2.2"X4.8"X1.6".

BUFFER / BOOSTER   The JHS Pedals Prestige is a booster/buffer/enhancer that will give you that “something”, the magic that you’ve been looking for. In a simple package, the Prestige can be used as an always-on preamp or buffer, or you can crank it up to send your amp into a natural overdrive that will dazzle audiences far and wide. The Prestige features one knob for volume. In the first 25%, you have a natural buffer/enhancer that is great for long cable runs or just to add a touch of brightness to your signal. At 25% to 75% the Prestige becomes a volume boost to give you a nice push for solos or to put in front of an overdrive to create more saturation. Above 75% and you’ll be sending your amp into a meaty natural breakup by pushing the tubes on your amp. This can be used as a first stage overdrive or a second stage to maintain your other overdrives’ tone while giving more of everything you love. - One knob that has plenty of tricks up its sleeve - Buffer/Enhancer for long cable runs or an always-on preamp - Booster for solos, saturating another overdrive or overdriving your amp   THIS PEDAL REQUIRES STANDARD 9V DC CENTER NEGATIVE POWER, CONSUMES 7mA, AND MEASURES 3.6" x 1.5" x 1"

5.68 X 3.62 X 2.0 INCHES, 0.85 LBS The "Legends Of Fuzz'' series is a collection of the world's most historic, rare, and sought after circuits.  At JHS, fuzz pedals have been in our lineup for over a decade. We have designed original circuits, replicated classics, and we have seen the trend of fuzz popularity come and go. The "Legends Of Fuzz'' series is our tribute to the most important fuzz circuits ever made. It is our way of ensuring that the stories of these effects live on in the music that you are going to make. From the earliest days of fuzz in the mid-60's London scene to the 1990's ex-Soviet military factories that brought the Big Muff back to life, fuzz tells a story, and that story includes guitarists just like you. There is nothing more primitive than plugging your guitar into a vintage fuzz circuit; it is raw, untamed, and so pure that it pushes the boundaries of what your instrument can accomplish. Plug into a fuzz and plug into sixty years of beautifully broken sound.  In the late 1960’s, Japan was bursting at the seams with amazing guitar pedal companies and innovations. One of the most sought after effects from this time and place is the Univox Super-Fuzz. This effect is an octave fuzz that turns any note or chord into a thick and searing texture. Playing a high octave up alongside the distorted note, this is an effect that demands your attention. First produced inside of a large amp head sized multi-effect unit called the Honey* Psychedelic Machine (1967) and then re-released a few months later as a standalone pedal called the Honey* Baby Crying Effect. Honey* soon became Shin-Ei* and by 1968 Shin-Ei* became the guitar pedal powerhouse of Japan, making Shin-Ei* branded effects as well as producing those same circuits for dozens of brands like Shaftesbury, Kent, Crown, Jax, and America's Univox. This circuit found its way into the lineup of brands all over the world.  Thanks to product placement by Pete Townsend of The Who, the Univox Unicord Super-Fuzz version found fame above all the rest. First produced in a simple, unassuming grey metal enclosure (1968), it transitioned into a more eye catching form factor utilizing a large rectangle foot pad that said SUPER-FUZZ in large letters across the top (1970). Red and blue, black and grey, white and black, you could pick your color.  The Supreme is an exact replica of my favorite Super-Fuzz in my collection, my extremely rare black and grey model. Although every early version of this pedal sounds strikingly similar, this 1972 unit has a certain magic that makes it stand out above the others. Imagine an Octavia Fuzz that woke up on the wrong side of the bed, and that’s what you're plugging into here: a loud, screaming, full and vibrant octave fuzz that is always at 11.  The controls are Volume and Expand. Volume makes the effect louder as you turn it and Expand increases the amount of fuzz. On the side you will see two buttons. The “Tone” button engages a mid cut that flattens out the Supreme’s attack and makes it more submissive. Think of this as a preset scooped mid EQ control. The “Mode” button activates our very own “JHS Mode” setting. You will hear a much more pronounced octave up effect, thicker mid-range, and more available volume/boost.  If you want to replicate the classic octave fuzz sounds of Pete Townsend, Black Keys, White Stripes, Beastie Boys, and Mudhoney, this is it.  USES 9V DC NEGATIVE CENTER. 4MA CONSUMPTION. DO NOT USE MORE THAN 9V DC, OR YOUR WARRANTY WILL BE VOIDED.  THE SUPREME DOES ALLOW FOR BATTERY OPERATION VIA A SINGLE 9V BATTERY. JUST LOOSEN THE TWO REAR SCREWS FROM THE ENCLOSURE AND THE BACKPLATE WILL SWING OPEN. ON THE INSIDE YOU WILL SEE A BATTERY CLIP TO INSTALL THE BATTERY INTO.

JHS Pedals is proud to present the Whitey Tighty compressor, our take on the classic effect that no one may ever know is on, but when it’s off you feel like your pants are down. The Whitey Tighty is as simple as it gets while never getting in the way. At only 1”x3”, you’ll save so much space on your pedal board that you’ll be able to add to your wardrobe of effects with ease. And with the ability to blend in compression and clean signal, you’ll be able to dial in the perfect sound that keeps everything in place. The Whitey Tighty is a FET compressor that has three simple controls: Volume, Compression, and Blend. The Volume control gives you the ability to set your volume at unity gain or slightly boosted to make up for any perceived loss from the compression. The Compression knob controls the amount of compression for everything from a subtle smoothing of your tone to a pleasing squash that’s perfect for country, blues, pop, and rock. Use the Blend knob to dial in the right amount of clean tone along with your compressed signal. This allows you to retain some of the natural feel of your clean tone while giving you the studio-quality compression that brings your sound to the next level. Tighten up your tone with the JHS Pedals Whitey Tighty!

The BEST winged guitar on the market. Period. Built from solid Spanish Mahogany to create an light, well balanced tone monster for those looking to make it through the Winter. With a scarfed head joint to improve strength, the full gambit of pickup options from the traditional Mini to P90's and full sized Humbuckers to go from Johnny to Allen. When custom ordering, use coupon code " DEPOSIT " at checkout Standard Specs Spanish Mahogany wings, three piece Spanish Mahogany neck 24.75" scale Wenge fretboard with vintage pearloid Keystone or Dot inlays. Pickup options include Wolfetone, Lollar and TV Jones New for 2022: Rickard Banjo Tuners For additional options like slider switches etc scroll down Kauer Banshee Artists: Brad Whitford / Aerosmith Scott Holiday / Rival Sons (Go buy Great Western Valkyrie to hear LOTS of Banshee's) Tom Dumont / No Doubt - DREAMCAR Dennis Casey / Flogging Molly Gary Hooker / Brad Paisley Band Graham Whitford / Tyler Bryant Matt Schofield Walter Becker / Steely Dan R.J. Ronquillo / Thompson Square Adella / Paula Rubio

  Gripen. Swedish for awesome. Brand new, the first truly new Kauer in nearly 8 years. A joint design between Doug and Max Kauer, the Gripen is angular, cubist and modern, yet somehow still immediately identifiable as a Kauer at its core. When we started designing Gripen, we centered quickly around our neck-thru experience as a way to get away with the aggressive nature of Gripen. When custom ordering, use coupon code " DEPOSIT " at checkout Standard Specs Spanish Mahogany Neck-thru and wings 24.75" scale Wenge fretboard with Gripen specific Crown inlays Pickup options include Wolfetone, Lollar and TV Jones Hipshot locking tuners TuneOmatic / Tailpiece Plek’d in house! Kauer Gripen Artists: Tom Dumont (No Doubt) Scott Holiday (Rival Sons) Graham Whitford (Tyler Bryant)

  Gripen. Swedish for awesome. Brand new, the first truly new Kauer in nearly 8 years. A joint design between Doug and Max Kauer, the Gripen is angular, cubist and modern, yet somehow still immediately identifiable as a Kauer at its core. When we started designing Gripen, we centered quickly around our neck-thru experience as a way to get away with the aggressive nature of Gripen. When custom ordering, use coupon code " DEPOSIT " at checkout Standard Specs Spanish Mahogany Neck-thru and wings 24.75" scale Wenge fretboard with Gripen specific Crown inlays Pickup options include Wolfetone, Lollar and TV Jones Hipshot locking tuners TuneOmatic / Tailpiece Plek’d in house! Kauer Gripen Artists: Tom Dumont (No Doubt) Scott Holiday (Rival Sons) Graham Whitford (Tyler Bryant)

  Slab Spanish Cedar body and neck 24.75" Scale Wenge Fretboard over set Mahogany neck. 22 fret, 12” radius, 1 11/16” nut width. Pickup options from Wolfetone, Lollar and TV Jones All 2020+ Kauer’s are now Plek’d in house Starliner Express Artists Dennis Casey / Flogging Molly Angie Swan / David Byrne Will Swan / Dance Gavin Dance RJ Ronquillo / Nashville Session artist, Thompson Square, Ricky Martin, Stevie Wonder, Deke Dickerson and more

The DRIVE section gives you two styles of overdrive to choose from: Crunch or Lead.  The Crunch Style gives you a gritty British tube-amp combo sound.  The Lead Style gives you a warm and dark, mid-pushed overdrive.  The WET side of the pedal gives you Delays and Reverbs.  A Vintage/Modern Switch allows you to toggle between Spring & Plate reverb or Analog & Digital delay.  Use the built-in effects loop to insert effects between Drive and Wet, or run it by itself as the only pedal you’ll need!   DRIVE Channel – A pair of modified super-drives to choose from. Volume, Tone, and Drive for days! STYLE Switch – Tube-amp Crunch or Lead-channel Sustain WET Channel – three knob delay or reverb with Blend, Decay, and Time Delay/Reverb Switch – Center toggle, WET Mode Select Top-mounted jacks for effect pedal insert or split TRS Insert Switch – side mounted selector True-Bypass or Trails Switch – side mounted selector 9VDC, 100 mA, no battery option Designed and Made in the USA

The Keeley Delay Workstation is a powerful, dual DSP processor delay and reverb machine.  Combining Keeley’s unique delay and reverb patches in an incredibly small package, the Delay Workstation is an extremely creative tool. With the Delay Workstation you can combine vintage slapback and multi-head tape echoes with Spring or plate reverbs to create some instantly classic sound spaces.  You can set the Delay Workstation for warm sounding analog delays and then use the chamber or hall reverbs to create a huge warm and endless space.  Need rhythmic delays with some shimmer?  It’s here.  Always wanted to have the perfect ducking delay?  One that backs out of the way until your done with your notes, then the echoes fill in. “Ducking” is a very intelligent way for clearing the clutter in a sound that would normally be overrun with delays and echoes.   Wanna get twisted?  Try the Pitch delay into our Flanged Reverb. The Reverb side of the Delay Workstation contains all of the most common reverbs and some delays. The Morph control allows users to put creative twists on the reverb patches like spring tension, shimmer, and random flanging.  There are two delays included in the reverb bank.  You can use these to setup very cool ping-pong delays and many other creative rhythmic patterns. Two banks of eight legendary effects.  Super Fidelity.  Super Compact. The Delay Workstation has on-board tap tempo on the Delay side and external expression control on the Reverb side. Effects Include: Slapback w/reverb Tape Delay w/tone control Multi-Head Echo w/3 head control Analog Delay w/dynamic modulation Digital Delay w/inverse dynamic modulation Subdivided Delay w/dotted eighth, eighth, triplet, sixteenth Ducking w/compression ratio Pitch Shifting delay with w/octave up/down control Spring Reverb w/tension control Chamber Reverb w/filter control Hall Reverb w/tone control Plate Reverb w/tone control Shimmer w/octave up control Flanged Reverb w/vibrato or random modulation

The true-stereo K eeley ECCOS artfully combines a delay pedal and a looper. At the heart of the ECCOS is a neo-vintage delay with unprecedented control over tape-style echoes. Create long and majestic sounding tape flanged delay lines and then switch to the feature-packed Looper to record endless layers of sound! Dual stomp switches in delay mode are for true-bypass, tap-tempo and even endless feedback – but in looper mode they allow you to record, play, reverse, half-speed and even trigger a “play-once”. Live or as a studio workstation the delay and looper work together giving you endless room for creating and experimenting in a small footprint. With over four years of development on the Quad 24/56-bit Dream DSP, Keeley has reached the pinnacle of delay sound quality with the amazing new tones in the ECCOS.   The ECCOS now features Sound on Sound Mode! Sound on sound mode lets you record without erasing the original loop. The volume of the loops degrade over time, recreating a vintage reel to reel recording technique. To set the decay of the loops, hold down the FDBK knob and adjust the Depth control. This alt control comes in handy when using Sound on Sound Mode.   ECCOS is a True Stereo Delay and Looper Studio quality delay with tape flanged modulation Features include 3 memory presets, subdivisions, trails, runaway feedback Huge array of tone and time-based controls with the Alt Hold feature Full-featured Looper with reverse and half-speed loop effects 2 minutes of looping in mono, 60 seconds in stereo, Endless layers of recording! True-Bypass and Tap Tempo on-board or remotely with any style pedal-switcher Expression pedal assignment over any parameter and in any direction Pro Rig designed, remote control thru 1/4″ jacks for live use with pedal switcher systems 100% analog dry signal, audiophile designed input to output Stereo True-Bypass/Trails, switchable on the fly 9 Volt DC, 115mA low-current design Made in Edmond, USA     The ECCOS features advanced independent switching. The Delay or the Looper can be turned on and off independently. You can start the Looper without without a Delay Setting.

MINI  KATANA CLEAN BOOST!  Keeley’s oldest design made smaller and with tasteful updates including an additional feature.  The Katana started back in 2002 within the Time Machine Boost.  It was a dual class A JFET design that gave players and incredible boost and sounded so good they never turned off.  In fact they often ran two or three on stages like John Mayer!  The Mini Katana boost provides over 35dB of boost.  Enough for the most demanding players and sound reinforcement. New for the Mini Katana – 4 MODES! The new Mini Katana is now a 4 Mode Booster!  With the dual micro switches you have a total of four sounds possible.  Need drive, just flip the micro Hi-Gain Switch inside and you’ve got overdriven tone!  Flip the Hi-Cut Switch (NEW for the Katana Mini!) on the inside and you have a warmer tone to soften any Strat or Tele.  Flip both switches and you have the ultimate sounding boost, thick, creamy, tube-amp sounding, and plenty of volume on tap! Obsessed with cleanest, most enjoyable tone boosted? Well, Before other people started using Blue LED’s and non-diode clipping stages, there was the TMB and Katana…. Cascading FET stages do the tube-amp-thing like nothing else! Now made smaller, it will fit any board – any budget.  Enjoy a tasteful update to the pedal that redefined clean boost in the boutique era!

MINI KATANA CLEAN BOOST! Keeleys oldest design made smaller and with an additional feature. The Katana started back in 2002 within the Time Machine Boost. It was a dual class A JFET design that gave players and incredible boost and sounded so good they never turned off. In fact they often ran two or three on stage like John Mayer! The Mini Katana boost provides over 35dB of boost.

The High-Rise is a new premium overdrive with massive frequency range and incredible touch sensitivity. High-Rise responds dynamically to your guitar’s tone settings and enhances them; it doesn’t mask them. The “Steel” circuit acts as a clean boost, bringing clear, organic overdrive to any amp or pedal combination. The “Concrete” circuit delivers additional gain, grit, and saturation. Together, the two circuits offer a myriad of tonal possibilities for a wide range of playing styles. Explore and achieve new tones from each side individually, or use them together. Get higher. The High-Rise was designed by Saul Koll and Portland effects maestro Jack Deville, with graphic design by Aaron Draplin. The knobs were custom designed by Saul and cast by Matt Haramis. It’s true-bypass and runs quietly on a 9VDC adapter or an optional internal 9V battery (run at 18VDC for added headroom and clarity). Every pedal is handmade one-by-one in Portland, Oregon.

Area - the art of reverberation.Area is an extremely versatile Multi Reverb with which you can obtain many reverberation environments. From short reverberations to huge spaces and celestial atmospheres, without clouding the Dry signal.Area is built on the base of powerful digital algorithms of our own creation, reproducing 4 different reverberation effects with an exceptional sound quality.The new Mastro Valvola Area MkII has all the same features of first Area multi reverb, with the addition of the innovative “Timed Bypass System”, designed by Mastro Valvola, to manage the reverb trails.When Trails mode is engaged and the effect is turned off, the pedal uses the “buffered bypass” and the reverb trails die of naturally. When the reverb trails are completely dead the pedal automatically changes the bypass system in true-bypass through the internal relay. Main features: 4 types of reverb: Reverb – Modulation – Shimmer 8th – Shimmer 8th + 5th 3 presets, easily managed with the preset button Damp control, to modify the emphasis on the reverberation frequencies dedicated Pre-Delay control, to easily modify the separation between the Dry and reverberated signal analogical Mix control, varying from 100% Dry to 100% Wet True-bypass with Timed Bypass System (TBS), to manage the reverb Trails completely analog Dry signal path Reverb types: REVERB: in this position, combining the Decay, Damp and Pre-Delay you will be able to obtain several kinds of reverberations: ROOM, PLATE, HALL. MOD: a double voice chorus modulation is added to the reverberation atmospheres, enriching the space of your environment. SHIM 8th: the tail of the reverberation is enriched by symphonic shimmers, tuned 2 octaves higher. SHIM 8th + 5th: the tail of the reverberation is enriched by symphonic shimmers, tuned on the higher octave and fifth.